Literature for Composition: Essays, Fiction, Poetry, and Drama (7th Edition) Review

Literature for Composition: Essays, Fiction, Poetry, and Drama (7th Edition)
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I have taught English 102 this semester (Fall 06) using this text and find it both professor and student friendly. I love the organization, the division of genres, critical thinking approaches, etc. The interspersing of photographs, art, and the culturally diverse offerings in terms of literary examples make for an experience that is memorable all around.
It is a book that fosters independent thinking, out-of-the-box thinking. It encourages writing about literature in such a way that students don't feel this to be an impossible task. In short, it empowers students, both those who have an idea to go onward to upper division work in literature and/or writing and those students who thought that compostion classes were a "necessary evil."
It is a book that begs to be opened and used. My students tell me this is one they will not sell back at the end of the semester, but will keep in their personal libraries. THAT is saying something.
I think that the appeal of this book would be enhanced by a slightly lower price, but that is the only serious drawback.

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Literature for Composition offers the finest writing and argument coverage, helpful discussions of the literary elements, compelling case studies, and a diverse array of selections.This book is based on the assumption that students in composition or literature courses should encounter first-rate writing--not simply competent prose, but the powerful reports of experience that have been recorded by highly skilled writers past and present. The study of such writing offers pleasure and insight into life. It also leads to increased skill in communicating.Literature for Composition opens with five chapters devoted to reading, writing, and argument. An entire chapter on critical thinking equips students with a foundation upon which to study the chapters on the literary forms that follow. Two complete chapters cover argument, interpretation, and evaluation. An anthology organized around seven engaging themes allows instructors to structure their classes with great flexibility. Special chapters on visuals and film along with nine case studies offer additional resources.

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