Showing posts with label classical texts in translation. Show all posts
Showing posts with label classical texts in translation. Show all posts

Western Humanities, Complete Review

Western Humanities, Complete
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This book is an excellent resource for college students interested in humanities. This was the text used for my Humanities class. It was very easy to read and I was able digest the material covered without falling asleep. The photos are excellent and the captions are detailed. This is an excellent book well worth the asking price.

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This chronologically organized introduction to the Western humanities (art, music, history, literature, and drama) establishes the historical context of each era before the arts are discussed. More than 600 illustrations appear throughout the text, "Personal Perspectives" boxes bring to life the events of the day, and brief sections at the end of each chapter describe the cultural legacy of the era discussed. "The Western Humanities" is also available in two volumes: "Volume I" covers prehistory through the Renaissance; "Volume II" spans the period from the Renaissance through the present.

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Sophocles I: Oedipus The King, Oedipus at Colonus, Antigone (The Complete Greek Tragedies) Review

Sophocles I: Oedipus The King, Oedipus at Colonus, Antigone (The Complete Greek Tragedies)
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Researching translations is never an easy task, and in this case, where you'll have to search on Amazon for the title and the translator to find what you want, it's particularly difficult.
Here's what I've found by comparing several editions:
1. David Grene translation: Seems to be accurate, yet not unwieldy as such. My pick. Language is used precisely, but not to the point where it's barely in English.
2. Fitts/Fitzgerald translation: Excellent as well, though a little less smooth than the Grene one. Certainly not a bad pick.
3. Fagles translation: Beautiful. Not accurate. If you are looking for the smoothest English version, there's no doubt that this is it. That said, because he is looser with the translation, some ideas might be lost. For instance, in Antigone, in the beginning, Antigone discusses how law compels her to bury her brother despite Creon's edict. In Fagles, the "law" concept is lost in "military honors" when discussing the burial of Eteocles. This whole notion of obeying positive law or natural law is very important, but you wouldn't know it from Fagles. In Grene, for example, it is translated to "lawful rites."
4. Gibbons and Segal: Looks great, but right now the book has only Antigone (and not the rest of the trilogy) and costs almost 3x as much. I'll pass. But, from a cursory review, I'm impressed with their work.
5. MacDonald: This edition received some good write-ups, but I wasn't able to do a direct passage-to-passage comparison.
6. Woodruff: NO, NO, NO. Just NO. It's so colloquial it makes me gag. Very accessible, but the modernization of the language is just so extreme as to make it almost laughable. You don't get any sense of the power of language in the play. You just get the story. If you want this to be an easy read, then get Fagles, not this.
7. Kitto: Looks good, though not particularly compelling over either Grene or Fitzgerald (or Gibbons if I wanted to pay so much more).
8. Roche: Practically unreadable the English is so convoluted. Might be the most literal translation, but what's the point unless you are learning Greek and want such a direct translation.
9. Taylor: Way too wordy. Might be more literal, but again, why?
Hope this all helps. Translations can make or break the accessibility of literature. Pick wisely.

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"These authoritative translations consign all other complete collections to the wastebasket."—Robert Brustein, The New Republic"This is it. No qualifications. Go out and buy it everybody."—Kenneth Rexroth, The Nation"The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary....They have life and speed and suppleness of phrase."—Times Education Supplement"These translations belong to our time. A keen poetic sensibility repeatedly quickens them; and without this inner fire the most academically flawless rendering is dead."—Warren D. Anderson, American Oxonian"The critical commentaries and the versions themselves...are fresh, unpretentious, above all, functional."—Commonweal"Grene is one of the great translators."—Conor Cruise O'Brien, London Sunday Times"Richmond Lattimore is that rara avis in our age, the classical scholar who is at the same time an accomplished poet."—Dudley Fitts, New York Times Book Review

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Mythology: Timeless Tales of Gods and Heroes Review

Mythology: Timeless Tales of Gods and Heroes
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Hamilton's mythology deserves its place with Bulfinch's mythology as one of the primary anthologies of classical mythology. Although the book covers Greek/Roman myths thoroughly, the Norse myths are touched upon only briefly, which is why I have given the book four stars rather than five. Nonetheless, the quality of the book is excellent, and it is useful as a volume to be read for entertainment, and as a classroom primer (I myself have taught a Mythology class using it as the primary textbook). Hamilton's retellings are engaging, and her scholasticism is evident throughout--a small example is her use of the less popular Roman names for the primary gods (Jupiter, Juno, Mars, etc.) when they are found in myths of Roman origin. Hamilton also includes information at the beginning of most chapters about the source of the myth and its author, which is very helpful. She synthesizes the longer myths, such as the Trojan War (found in the Iliad) and the quest for the golden fleece in such a way as to highlight their major events and give the reader a flavor of their content. Overall, I have not encountered a better survey of classical mythology in one volume. Incidentally, if the reader desires more information on the Norse Myths, I recommend Kevin Crossley-Holland's Norse Myths, which is also an excellent volume.

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MONSTERS, MORTALS, GODS, AND WARRIORSFor over fifty years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology. From Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom, Edith Hamilton's classic collection not only retells these stories with brilliant clarity but shows us how the ancients saw their own place in the world and how their themes echo in our consciousness today. An essential part of every home library, MYTHOLOGY is the definitive volume for anyone who wants to know the key dramas, the primary characters, the triumphs, failures, fears, and hopes first narrated thousands of years ago -- and still spellbinding to this day.

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