Showing posts with label drama. Show all posts
Showing posts with label drama. Show all posts

The Wadsworth Anthology of Drama Review

The Wadsworth Anthology of Drama
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I read so much about the anthology, but nowhere did I find what plays were actually presented, for those interested here is the list: Orestia, Agamemnon, Liberation Bearers, Eumenides, Oedipos King, Medea, Lysistrata, Matsukaze, Chushingura, Second Shepards' Pageant, Everyman, Doctor Faustus, Hamlet, The Tempest, Life is a Dream, Tartuffe, Phaedra, The Rover, Loa DIvine Narcissusm Recruiting Officer, Doll House, Father, Cherry Orchard, Major Barbara, Six Characters..., Mother Courage, Endgame, Homecoming, Hamletmachine, Cloud Nine, Our Country's Good, Trifles, Hairy Ape, Glass Menagerie, Dutchman, Vedidos, True West, Fences, M Butterfly, Angels in America I, Fires in the Mirror, America Play, Lady Aoi, My Beatles, A Tempest, Information for Foreigners, Death and King's Horseman, Translations, Gangsters, No Sugar, Dry Lips Oghta..., Valley Song. On top of it all, there are incredible and insightful critical reviews.

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Known through four editions as the boldest and most distinguished introduction to drama, William Worthen's pace-setting text continues to provide exciting plays usefully situated within their historical and cultural contexts. In its fifth edition, THE WADSWORTH ANTHOLOGY OF DRAMA broadens its scope to offer even more plays than ever before.

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Sophocles I: Oedipus The King, Oedipus at Colonus, Antigone (The Complete Greek Tragedies) Review

Sophocles I: Oedipus The King, Oedipus at Colonus, Antigone (The Complete Greek Tragedies)
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Researching translations is never an easy task, and in this case, where you'll have to search on Amazon for the title and the translator to find what you want, it's particularly difficult.
Here's what I've found by comparing several editions:
1. David Grene translation: Seems to be accurate, yet not unwieldy as such. My pick. Language is used precisely, but not to the point where it's barely in English.
2. Fitts/Fitzgerald translation: Excellent as well, though a little less smooth than the Grene one. Certainly not a bad pick.
3. Fagles translation: Beautiful. Not accurate. If you are looking for the smoothest English version, there's no doubt that this is it. That said, because he is looser with the translation, some ideas might be lost. For instance, in Antigone, in the beginning, Antigone discusses how law compels her to bury her brother despite Creon's edict. In Fagles, the "law" concept is lost in "military honors" when discussing the burial of Eteocles. This whole notion of obeying positive law or natural law is very important, but you wouldn't know it from Fagles. In Grene, for example, it is translated to "lawful rites."
4. Gibbons and Segal: Looks great, but right now the book has only Antigone (and not the rest of the trilogy) and costs almost 3x as much. I'll pass. But, from a cursory review, I'm impressed with their work.
5. MacDonald: This edition received some good write-ups, but I wasn't able to do a direct passage-to-passage comparison.
6. Woodruff: NO, NO, NO. Just NO. It's so colloquial it makes me gag. Very accessible, but the modernization of the language is just so extreme as to make it almost laughable. You don't get any sense of the power of language in the play. You just get the story. If you want this to be an easy read, then get Fagles, not this.
7. Kitto: Looks good, though not particularly compelling over either Grene or Fitzgerald (or Gibbons if I wanted to pay so much more).
8. Roche: Practically unreadable the English is so convoluted. Might be the most literal translation, but what's the point unless you are learning Greek and want such a direct translation.
9. Taylor: Way too wordy. Might be more literal, but again, why?
Hope this all helps. Translations can make or break the accessibility of literature. Pick wisely.

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"These authoritative translations consign all other complete collections to the wastebasket."—Robert Brustein, The New Republic"This is it. No qualifications. Go out and buy it everybody."—Kenneth Rexroth, The Nation"The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary....They have life and speed and suppleness of phrase."—Times Education Supplement"These translations belong to our time. A keen poetic sensibility repeatedly quickens them; and without this inner fire the most academically flawless rendering is dead."—Warren D. Anderson, American Oxonian"The critical commentaries and the versions themselves...are fresh, unpretentious, above all, functional."—Commonweal"Grene is one of the great translators."—Conor Cruise O'Brien, London Sunday Times"Richmond Lattimore is that rara avis in our age, the classical scholar who is at the same time an accomplished poet."—Dudley Fitts, New York Times Book Review

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The Book Thief Review

The Book Thief
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This is a story told by Death. An interesting point of view perhaps, but as it is set in Germany during World War II, perhaps it is entirely appropriate. It is also a story of a young girl, who in spite of having a life that no one would wish on anyone, still manages to have glimpses of pleasure through many small things, including the few books that she manages to acquire (or shall we say, steal).
It is interesting to see that it appears to be targeted to young adult readers - please don't be put off by this - it is very much an adult story about children who are doing their best to live a normal life in times of unspeakable horror. It would also be a good way to introduce more mature readers to the history of the times. But be warned, it is quite confrontational at times, and considering who the narrator is, very sad.
To add extra punch to the story, it appears that it is the true story of the author's grandmother. When you consider this, you realise how truly resilient we humans are, and how occasionally, and with a bit of luck, we can hold off death for a time.

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Literature: Approaches to Fiction, Poetry, and Drama Review

Literature: Approaches to Fiction, Poetry, and Drama
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This book not only contains a lot of excellent literature, but it also gives instruction on how to read and analyze literature more effectively. This is a book I come back to again and again.

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Like its larger counterpart, the compact Literature: Approaches to Fiction, Poetry, and Drama by Robert DiYanni features student-centered approaches to literature--from experience to interpretation to evaluation--and an emphasis on making connections between texts and thinking critically about literature.
Known for its clear presentation of the formal elements of literature and literary analysis, this compact anthology effectively balances classic, modern, and contemporary works across the three major genres, blending well-known writers with a diverse gathering of newer, international figures. This literary breadth is supplemented by extensive coverage of writing about literature, making this book an excellent text for introduction to literature courses as well as literature-based composition courses.

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