Showing posts with label lesbian. Show all posts
Showing posts with label lesbian. Show all posts

The Color Purple Review

The Color Purple
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"The Color Purple" is one of the strongest statements of how love transforms and cruelty disfigures the human spirit that this reviewer has ever read. Alice Walker gives us Celie, 14 years old when the book opens, who has been raped, abused, degraded and twice impregnated by her father. After he takes her children away from her without a so much as a word, he marries her off like a piece of chattel to her husband, who is so cold, distant and inhuman to her that she can only refer to him as Mr; and this person deprives her of her sister Nettie, the only one who ever loved her.
Celie manages to survive by living one day at a time. Her life is a series of flat, lifeless panoramas painted in browns and grays. Into this existence, if you can call it that, comes Shug Avery, her husband's mistress, who shows Celie her own specialness and uniqueness. A lot has been made about lesbianism in this book and all of it is beside the point. Celie isn't a lesbian, she is a human being in need of love and Shug Avery helps Celie realize that she is somebody worth loving and caring about. When Celie hurls her defiance into Mr's face -- "I'm poor, I'm black, I may be ugly... but I'm here", she is making an affirmation not only to him, but to the whole world; the reader can only say, along with Shug Avery, "Amen".
When Celie finds the strength to leave Mr, he is left to face the reality of himself and what he sees isn't pretty; his transformation humanizes him and allows Celie to call him Albert, recognizing him as a person, as he finally recognizes her as one. The last chapter makes many readers go through half a box of Kleenex (Stephen Spielberg once said in an interview that he "cried and cried at the end" of the book), but Walker doesn't play cheap with the reader's emotions; she has a powerful story to tell and she tells it with such consummate skill and sensitivity that she brings us into it and makes it ours. This is a book to be treasured and read over and over again.

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Sisters Nettie and Celie, the former a missionary in Africa, the latter a southern woman trapped in an unhappy marriage, share their thoughts and experiences throughout a thirty-year correspondence. Reissue. Winner of the Pulitzer Prize. NYT.

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Adrienne Rich's Poetry and Prose (Norton Critical Editions) Review

Adrienne Rich's Poetry and Prose (Norton Critical Editions)
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My copy is missing pages 225 to 276, comprising the last four essays in the Prose section: "Blood, Bread and Poetry: The Location of the Poet," "The Genesis of 'Yom Kippur 1984'," "Adrienne Rich: The Interview with David Montenegro," and "Swarthmore College Commencement: June 1, 1992." Must have been a bad printing batch. Caveat emptor.

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This Norton Critical Edition presents the work of one of America's foremost poets. It moves well beyond the scope of its predecessor, Adrienne Rich's Poetry (1975), in giving proper recognition to Rich's extraordinary achievements in both poetry and prose in recent years. The result is a judiciously edited, sensibly annotated volume ideally suited for classroom study of one of our most distinguished working writers.
In both poetry and prose, the editors have chosen selections intended to give readers a clear sense of Rich's evolution and accomplishment. Many of the poems in this expanded collection are from Rich's five recent volumes-The Dream of a Common Language (1978), A Wild Patience Has Taken Me This Far (1981), Your Native Land, Your Life (1986), Time's Power: Poems 1985-1988 (1989), and An Atlas of the Difficult World (1991). Prose selections include "When We Dead Awaken: Writing as Re-Vision," Rich's canonical statement on feminism; "Compulsory Heterosexuality and Lesbian Existence," on being a lesbian in a heterosexual world; Rich's interview for American Poetry Review, which presents a full and frank discussion of her work; and her previously unpublished commentary on the genesis of the poem "Yom Kippur 1984."The editors have also taken into account the many essays on Rich and reviews of her work that have been published since 1975. Some earlier biographical selections have been replaced with works that focus on the quality of Rich's writing and her place in twentieth-century American literature-not just as a poet, but as a woman, a lesbian, and a mother. Criticism includes thirteen reviews and interpretations of Rich's work by W. H. Auden, John Ashbery, Margaret Atwood, Helen Vendler, Judith McDaniel, Adrian Oktenberg, Charles Altieri, and Joanna Feit Diehl, among others. A second recent study by Albert Gelpi traces the events in Rich's life from which her work evolves. An updated Chronology and Selected Bibliography, as well as an expanded Index, are included.

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