Showing posts with label consciousness. Show all posts
Showing posts with label consciousness. Show all posts

The Hidden Messages in Water Review

The Hidden Messages in Water
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Like many others, I became aware of this book through the excellent film "What the Bleep?" and had high expectations for the message. The book started off interestingly enough, but as it went on, I became more and more put off by Emoto's lack of scientific perspective, even as he was claiming to be performing "research."
To be clear, I am very open minded and actively seek out cutting-edge ideas that push the envelope of our concepts of 'reality.' However, if a photo is shown of an ice crystal that purportedly got its shape from a prayer or a phrase or a song, a rational thinking person wants to know, "Out of a billion crystals that may have formed at that instant, how representative (or *subjectively selective*) is that photo that is being shown of the entire population of the crystals in the mix?" Careful statistical evaluations would be necessary to establish any solid basis for Emoto's theses. Yet no hard data such as this exists in this book. I am open to these ideas, even want to believe in them, but, where's the beef?
After viewing the photos and Emoto's captions describing them, it would be hard for an objective person --regardless of their level of open-mindedness and optimism-- to not see that his interpretations are extemely subjective and dubious. Although I was trying to hang with him, he really lost me at the point where he showed a photo of a crystal from water that had been shown a picture of a crop circle and told us the crystal looked like a UFO. (To be fair, I was fascinated by the four crystal photos of Vivaldi's Four Seasons - they seemed to fit the seasons very well.)
There's 'good' new age, and there's 'bad' new age; it was very disappointing that this book drifted into the latter. I am still open to the idea that H2O may have interesting messages; Emoto just fundamentally fails to deliver. It received two stars because it is a nicely published book, and it did stimulate me to fantisize that, applying REAL scientific research, these ideas may lead to something interesting ... someday.

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This book has the potential to profoundly transform your world view. Using high-speed photography, Dr. Masaru Emoto discovered that crystals formed in frozen water reveal changes when specific, concentrated thoughts are directed toward them. He found that water from clear springs and water that has been exposed to loving words shows brilliant, complex, and colorful snowflake patterns. In contrast, polluted water, or water exposed to negative thoughts, forms incomplete, asymmetrical patterns with dull colors. The implications of this research create a new awareness of how we can positively impact the earth and our personal health.

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The Gift Review

The Gift
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Hafiz has long been one of my favorite poets. I first discovered him when I was in college via Goethe and Ralph Waldo Emerson, and I've been readng his poems ever since. Since I am (alas!) without Parsi, I'm unable to read Hafiz in the original, and must rely upon the kindness of translators.
Daniel Ladinsky has done an interesting job of rendering Hafiz's verse into English. Ladinsky has an ear for rhythm and he strikes me as an individual with deep spiritual sensibilities. When he renders one of Hafiz's couplets as "The body a tree./God a wind", one senses that there's more going into this translation than just philological expertise. Landinsky, like Hafiz, is a mystic.
That spiritual bond with Hafiz, as well as a shared joy in the sheer vitality of creation, makes Landinsky's renderings light-hearted, in the sense that they shimmer with what Hafiz would call God's Light. Some of my favorite examples: "Whenever/God lays His glance/Life starts/Clapping"; "What is the beginning of/Happiness?/It is to stop being/So religious"; "All the talents of God are within you./How could this be otherwise/When your soul/Derived from His/Genes!"
But while I can appreciate the lyrical way in which Ladinsky trys to express Hafiz's insights, I do wonder about the reliability of the translations. They're loaded with modernisms that are somewhat grating after a while: we're derived from God's "genes," the sun is "in drag," characters in the poems "dig potatoes," the soul visits a "summer camp." Moreover, many of the renderings make Hafiz sound suspiciously like a Zen master throwing out koans (an obvious example of this is the poem Ladinsky titles ""Two Giant Fat People".) To his credit, Landinsky freely admits in his translator's preface that he's "taken the liberty to play a few of [Hafiz's] lines through a late-night jazz sax instead of from a morning temple drum or lyre." But he's unapologetic, claiming that the translator's job is to help Hafiz's spirit "come across" to the Parsi-less reader, and that this demands a free rendering.
I'm not so sure. This attitude strikes me as rather patronizing to the reader and disloyal to Hafiz himself. So my bottom line is this: Ladinsky's book is a good read on both poetical and spiritual grounds. But I'm forever left in doubt as to whether I'm reading Ladinsky or Hafiz.

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The Illuminated Rumi Review

The Illuminated Rumi
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Rumi, Coleman Barks, and Michael Green have collaborated on the most beautiful book I have ever seen (and I have seen a lot). Rumi's poetry trancends the artificial boundaries of religion, and speaks to anyone sincerely on the spiritual path. He captures the burning, the longing for the end of separation from God.
When I first became aware of Rumi's poetry, I was sure that it was about earthly love between humans here on earth. As I absorbed it more completely, I came to realize that all of his poetry, even his love poetry (which is very suitable for passing on to a loved one) is communicating with God.
Coleman Barks has done an amazing job of giving Rumi's work an accessable voice. He has truly given a gift for which we owe a huge debt of gratitude. Rumi provides the music, Coleman's translations provide the instruments.
Michael Green was obviously inspired by his collaborators to reach his own level of genius in the illustrations. I love the way he combines images from different cultures, different times, and from different disciplines both scientific and artistic! A desert oasis with a photo shot by the Hubble Space Telescope for the sky... The juxtaposition of fractal geometry with images from cultural art... I would gladly hang any of the original art from this book on the walls of my living room.
This book has been and continues to be my favorite gift to people who "get it," and I've probably handed out over 20 copies in the last two years. Do yourself a favor and buy it. I bet you'll be back for more copies.

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Rise up nimbly and go on your strange journey to the ocean of meanings...In the mid-thirteenth century, in a dusty marketplace in Konya, Turkey, a city where Muslim, Christian, Hindu, and Buddhist travelers mingled, Jelaluddin Rumi, a popular philosopher and scholar, met Shams of Tabriz, a wandering dervish. Their meeting forever altered the course of Rumi's life and influenced the mystical evolution of the planet. The bond they formed was everlasting--a powerful transcendent friendship that would flow through Rumi as some of the world's best-loved ecstatic poetry.Rumi's passionate, playful poems find and celebrate sacred life in everyday existence. They speak across all traditions, to all peoples, and today his relevance and popularity continue to grow. In The Illuminated Rumi, Coleman Barks, widely regarded as the world's premier translator of Rumi's writings, presents some of his most brilliant work, including many new translations. To complement Rumi's universal vision, Michael Green has worked the ancient art of illumination into a new, visually stunning form that joins typography, original art, old masters, photographs, and prints with sacred images from around the world.The Illuminated Rumi is a truly groundbreaking collaboration that interweaves word and image: a magnificent meeting of ancient tradition and modern interpretation that uniquely captures the spiritual wealth of Rumi's teachings. Coleman Barks's wise and witty commentary, together with Michael Green's art, makes this a classic guide to the life of the soul for a whole new generation of seekers.

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