Showing posts with label sufism. Show all posts
Showing posts with label sufism. Show all posts

Ibn Seerin's Dictionary of Dreams: According to Islamic Inner Traditions Review

Ibn Seerin's Dictionary of Dreams: According to Islamic Inner Traditions
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Dreams cannot be interpreted by just anyone and this is something that cannot be learned but only God-gifted. Ibn Sirin was a great and a blessed scholar and I do not know of any other book better than this one.

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The Gift Review

The Gift
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Hafiz has long been one of my favorite poets. I first discovered him when I was in college via Goethe and Ralph Waldo Emerson, and I've been readng his poems ever since. Since I am (alas!) without Parsi, I'm unable to read Hafiz in the original, and must rely upon the kindness of translators.
Daniel Ladinsky has done an interesting job of rendering Hafiz's verse into English. Ladinsky has an ear for rhythm and he strikes me as an individual with deep spiritual sensibilities. When he renders one of Hafiz's couplets as "The body a tree./God a wind", one senses that there's more going into this translation than just philological expertise. Landinsky, like Hafiz, is a mystic.
That spiritual bond with Hafiz, as well as a shared joy in the sheer vitality of creation, makes Landinsky's renderings light-hearted, in the sense that they shimmer with what Hafiz would call God's Light. Some of my favorite examples: "Whenever/God lays His glance/Life starts/Clapping"; "What is the beginning of/Happiness?/It is to stop being/So religious"; "All the talents of God are within you./How could this be otherwise/When your soul/Derived from His/Genes!"
But while I can appreciate the lyrical way in which Ladinsky trys to express Hafiz's insights, I do wonder about the reliability of the translations. They're loaded with modernisms that are somewhat grating after a while: we're derived from God's "genes," the sun is "in drag," characters in the poems "dig potatoes," the soul visits a "summer camp." Moreover, many of the renderings make Hafiz sound suspiciously like a Zen master throwing out koans (an obvious example of this is the poem Ladinsky titles ""Two Giant Fat People".) To his credit, Landinsky freely admits in his translator's preface that he's "taken the liberty to play a few of [Hafiz's] lines through a late-night jazz sax instead of from a morning temple drum or lyre." But he's unapologetic, claiming that the translator's job is to help Hafiz's spirit "come across" to the Parsi-less reader, and that this demands a free rendering.
I'm not so sure. This attitude strikes me as rather patronizing to the reader and disloyal to Hafiz himself. So my bottom line is this: Ladinsky's book is a good read on both poetical and spiritual grounds. But I'm forever left in doubt as to whether I'm reading Ladinsky or Hafiz.

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Rumi Birdsong: Fifty-Three Short Poems Review

Rumi Birdsong: Fifty-Three Short Poems
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Birdsong contains 53 short poems that are reworkings of the translation by A. J. Arberry, a major scholar of Sufism.
Not all of the poems have any direct relationship to birds, rather the birdsong of the title refers to a common metaphor in mystic traditions e.g. The Conference of the Birds, a major Sufi work.
Barks, as usual, provides excellent translations; he truly makes the poetry of Rumi accessible to the average reader (as compared to some scholarly translations that are precise but no longer poetry or that require technical vocabulary).
His selection of poems is also excellent; they are poems that encourage meditative thought. An example: "Stars burn clear / all night till dawn. / Do that yourself, and a spring / will rise in the dark with water / your deepest thirst is for. "

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The Hafez Poems of Gertrude Bell (Classics of Persian Literature) Review

The Hafez Poems of Gertrude Bell (Classics of Persian Literature)
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This old translation of the poet Hafez was once popular because it fit in with the stiff yet flowery British poetry of a century ago. Now it's dated and gives little meaning to the verse. Translator Bell was more familiar with the Arabic than the Persian language, and more familiar with Iraq than Persia (Iran), the home of Hafez. Of limited value.

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Includes Bell's translation of Hafez, along with the original Persian (Farsi). Also included are Bell's extensive introduction on the life and poetry of Hafez and a preface by E. Denison Ross.As E.G. Browne has commented: "Bells translations are true poetry of a very high order and, with perhaps the single exception of FitzGerald's paraphrase of the Quatrains of Omar Khayyam, are probably the finest and most truly poetical renderings of any Persian poet ever produced in the English language."

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Beyond Culture Review

Beyond Culture
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It's amazing to me that the (brilliantly simple) ideas found in this book aren't more a part of public consciousness and discussion, especially 25 years after its publication. These aren't high-flying concepts. They're experimentally proven and frighteningly basic revelations about how humans function, and the fact that they were never a part of my curriculum in one of the best prep schools in the country and then a top Ivy League school simply drives home Hall's point about the state of academia. My only complaint is that the book jumps around quickly and doesn't always spend as much time as I'd like on particular threads. It also isn't particularly actionable, but given its conclusions this is not surprising. I recommend Maps of Meaning by Jordan Peterson for another fascinating look at how the cross-cultural human psyche is configured. It's a powerful counterpoint to the fashionable but vacuous idea that everything in culture is an arbitrary construct, unconnected to millions of years of evolution of the human organism.

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Edward T. Hall opens up new dimensions of understanding and perception of human experience by helping us rethink our values in constructive ways.

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