Showing posts with label african literature. Show all posts
Showing posts with label african literature. Show all posts

Matigari (African Writers Library) Review

Matigari (African Writers Library)
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Matigari by Ngugi wa Thiong'o is a fascinating story. Since from the very beginning, Matigari captures readers with foreshadowing, uses of similes, and many techniques that European writers use. However, the structure is different from a novel written in the European tradition. The language is kept rather simple, as someone would speak when telling a story. There are many repetitive words and phrases in Matigari and readers should not underestimate the significant value of every one of them. In addition, the repetition is one of many things that Ngugi used to make readers read the book like a hidden charisma of the book. In my opinion, one of many quotes that give more insight to the story is the following: There is no night so long that it does not end with dawn." This metaphorical expression has a very significant meaning in the context of the story. It expresses the endless sufferings of people in that land. Most importantly, it emphasizes their hope for a better tomorrow. Thins have not changed after the settlers left. The Imperialism system sets a worldwide system in which the sorrow of the many is the joy of the few. The wealth of an entire nation is in the hands of five percent of the population, while the other ninety five percent are dying of starvation. "I have girded myself with the belt of peace." That is another important phrase. It illustrates the non-violent attitude of the hero. Matigari was a nationalist, a peaceful messenger who wished for harmony in his community. Another phrase that provides the most insight into the text is house and home. It is repeated countless times throughout the story, sometimes as many as eight times on a single page. It is like a mantra-home. The home is the center of our life. It is where families are centered. We go home to our loved ones every night. Muriuki's mother was killed in a fire set by her proprietor when she could not afford to pay for and refused to leave her home. Guthera turned to prostitution after she and her sibling were orphaned and it was the only means by which she could provide for them. John Boy is sent away to school by his family and instead of coming back to help them to improve their lives he becomes just like the wealthy settlers and his main goal is making money at the expense of the natives. Matigari's home appears to represent unity, love, and power. Home has connotations that go even further than that of immediate family and a place to live. Home is their country and home is the life they knew before colonization. Decolorizing Mind novel, that Ngugi used a biblical element to grab readers such as myself into completing the novel Matigari. I could not put down the book, Matigari's attitude and outward demeanor could all be summed up in one outline: his grace, his compassion, his love, his patience, his peacefulness, gentleness are all the qualities of Christ. I especially loved how he captured Matigari's voice, "Something in Matigari's voice made them listen to him attentively," when Christ spoke the people all listened o him diligently. When Matigari said " a prudent person keeps their mouth shut, in the Bible James 1:19, says everyone should be quick to listen, slow to speak and slow to anger...." In addition, when Matigari was in the jail cell, he shared food with other people in the jail. It is parallel to Jesus when he shares his bread to twelve other people. In literally, the food Matigari had and shared could be the last supper. Matigari is not only the bitter experience of post independence African society, but it is a picture of timeless suffering and struggle for freedom and independence. In a dictatorship, questions of truth and justice are paramount because these two are the first to disappear in such an environment. Matigari's patriotism for his country and his people haunted his soul. His search for truth and justice eventually let him to the forest and mountains. The myths of Matigari have wonder people. Who is this man People even compared him with the resurrection of Jesus Christ. Who ever that man is or whatever people think about him or his mission, I think the Matigari as an inspiration to the search for truth and justice.

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Who is Matigari? Is he young or old? Dead or living... or even Jesus Christ? These are the questions asked by the people when a man who has survived a war for independence emerges from the mountains. Matigari is in search of his family, the rebuilding of his home and the start of a new and peaceful future. But his search becomes a quest for truth and justice as he finds the people still dispossessed and the land he loves ruled by corruption, fear, and misery. Rumor springs up that a man with superhuman powers has risen to renew the freedom struggle. The novel races towards its climax as Matigari realizes that words alone cannot defeat the enemy. He vows to use force of arms to achieve his true liberation. Lyrical and hilarious in turn, Matigari is a memorable satire on the betrayal of human ideals and on the bitter experience of post-independence African society.

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A Grain of Wheat (African Writers) Review

A Grain of Wheat (African Writers)
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I loved this book. The story itself is compelling, detailing both African and European characters' perspectives on Kenyans' struggle for independence from Britain. Just for the story alone, the book is an intriguing page-turner that completely satisfies. But beyond that, it has a powerful and inspirational moral message that I have taken with me and hope never to forget.
Each of the major characters commits an act of betrayal to attain a greater goal, whether it's the British officer who wants to create a happy, harmonious colony and finds himself torturing and murdering in pursuit of this vision, or whether it's the Kenyan rebel who betrays his comrade to save his own life, feeling that he must survive to perform important tasks for his people.
Each one chooses less-than-perfect means to an imagined end. But what we and they learn, is that the "end" never comes, and we are left living day-to-day in the rubble of our "means." The betrayals that crisscross the novel scar all the characters with heavy losses, representative of the losses and betrayals that scarred Kenya as it stood on the threshhold of independence, divided between those who had collaborated with British occupation and those who had rebelled. And yet the final note is one of hope, that somehow reconciliation and transcendence of past injuries can be attempted.
I took to heart two messages: that those of us who struggle for justice in today's world must never betray our own principles in pursuit of some supposed higher good--because we too will be left only with our betrayals and no higher good in sight. And, that even after betrayals and years of conflict, there is still a spark of hope for renewal.

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Ngugi takes the reader back to the days preceding Kenya's independence. Mugo, a farmer and hero in the eyes of the villagers, is asked to deliver a speech during the Uhuru celebrations, to be held in memory of his friend Kihika. He refuses to make a speech and turns out to be a traitor.

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So Long a Letter (African Writers) Review

So Long a Letter (African Writers)
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I was introduced to this book by a friend who said that it changed the direction of her life. Indeed, I can see how anyone with an open mind would find a personal connection with Ramatoulaye's story. The comments about women's issues in the other reviews should not dissuade any man or woman from reading this book. Who has not suffered disappointment, betrayal, fear, and intense sadness? And who does not need to know that even through the worst that life throws at you, there is hope? Survival is not necessarily reserved for the fittest. Ramatoulaye stoicly accepts her husband's betrayal, but inside she suffers, and through that suffering and a subtle rendering of life's constant comedy she gains strength and independence. Again, any son, daughter, mother, father, wife, or husband will gain something valuable from So Long a Letter.

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This novel is in the form of a letter, written by the widowed Ramatoulaye and describing her struggle for survival. It is the winner of the Noma Award.

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World Literature An Anthology of Great Short Stories, Poetry, and Drama Review

World Literature An Anthology of Great Short Stories, Poetry, and Drama
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This is an excellent text for use in introductory world literature courses at either the high school or college levels. It offers a wide array of short stories, drama, and poetry by respected authors throughout history and up into the 20th century. Included are ancient pieces such as Akhenaton's "Hymn to the Aton" and Psalm 23 from the Bible, works by modern authors like Alice Walker, and everything in between, including Shakespeare, Tolstoy, Kafka, Dante, Dostoyesvsky, Yeats, Brontë, Wordsworth, Sophocles, Schiller, Ibsen, Colette, Bombal, Hemingway, Poe, Dickinson, and many more. There are 76 pieces in all, categorized by continent / region: the Mediterranean, Continental Europe, Africa, the Far East, Latin America, North America, and Great Britain.
Each piece, usually one of that particular author's best and most famous, is introduced by the editor with information on the author's life, times, and works. There are also accompanying critical questions for each story, play, and poem. I found that these were very useful as jumping-off points for the analysis of a piece, helping to start the critical thinking process. In addition, the editor suggests a few creative writing exercises to go along with each piece. I enjoyed using this book and feel that I gained a lot from it. The pieces are well-selected and give a nice sampling of literature from all geographical regions and time periods, including works in all genres and literary styles. Definitely a recommended text.

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World Literature © 2004 is a superb collection of short stories, poems, and plays from around the globe. This anthology is ideally suited for use as an integral part of the standard high school English curriculum or for a global literature elective. Content and activities provide valuable practice in preparing high school students for college classes or for the Advanced Placement exam. World Literature can also be used in an English-social studies core program that focuses on the study of world cultures, or as the perfect literature supplement to a world history course!


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The River Between Review

The River Between
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With every work of Ngugi's that I read, the more impressed I am. I first came across his "Petals of Blood" by chance in a used bookstore years ago, and ever since I've kept an eye open for other books of his. I admit that I've only read his novels, though; reading plays (as opposed to seeing them performed) for the most part doesn't move me nearly as much.
In "The River Between", Ngugi once again arrives at a viewpoint of tolerance while denouncing corruption in society; he manages to do so without demonizing the people on either side of any particular issue. He recognizes the strengths and weaknesses, the convictions and the doubts with which most human beings are imbued. He doesn't automatically blame all of his country's or his continent's problems on the "White Man", but rather he recognizes that the corruption and venality that continue to plague his society are things which are rooted in the universal human condition, not imports from Europe or the USA. He manages here to deal with a highly charged issue, as provocative and controversial now as it was at the time he wrote this book, namely "female circumcision" or "female genital mutilation", depending on your point of view. Almost uniquely, it seems, among Kenyan intellectuals he questions the absolute necessity of the practice to the maintenance of traditional social structure and values; but he does so while neither fervently condemning nor acclaiming it. As I've come to expect from Ngugi, he finds a road between extreme and fanatical stands - or a "river between", if you prefer; the protagonist attempts to make up his own mind rather than unquestioningly accepting received teaching about the absolute rightness or wrongness of either traditional practices or revolutionary knowledge. He recognizes that not all traditional practices are necessarily "better" or more "pure" than new ways of thinking, but that neither can they be eliminated by fiat without disastrous consequences for society, that education and time are necessary for peoples' thinking to evolve and for other values to be allowed to take the place of some of those that have been cherished since time immemorial. I confess that I was a little leery when I began reading this book; I feared that Ngugi would follow the line of so many other African writers in fervent support of female circumcision or FMG. That was the staunch rock of faith upon which I foundered when reading other books such as Jomo Kenyatta's "Facing Mount Kenya" and Camara Laye's "The African Child". I was suitably heartened to find that Ngugi once again finds his own mind, something I've come to see as the hallmark of his writing. But his protagonist doesn't arrive at the journey's destination by easy paths - I'm reminded of a line by the great singer-songwriter Silvio Rodriguez, that "la angustia es el precio de ser uno mismo" ("anguish is the price of being oneself").


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Explores life on the Makuyu and Kameno ridges of Kenya in the early days of white settlement. Faced with an alluring, new religion and "magical" customs, the Gikuyu people are torn between those who fear the unknown and those who see beyond it.

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