Showing posts with label classics. Show all posts
Showing posts with label classics. Show all posts

The Ramayana: A Shortened Modern Prose Version of the Indian Epic (Classic, 20th-Century, Penguin) Review

The Ramayana: A Shortened Modern Prose Version of the Indian Epic (Classic, 20th-Century, Penguin)
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As a fan of Narayan's work, I was fascinated to see how he would tackle the grand subject of the Ramayana, a work that runs through and certainly influences all of Narayan's stories. The result is one of his most delightful and beautifully written novels. I think it is important to approach this book not as "THE" Ramayana, but one storyteller's unique vision of the timeless epic--even as a variation on one of his Malgudi novels (the characters certainly bare a distinct resemblance). Narayan's writing is extremely sensitive, refined, yet full of humor and charm. Throughout he adopts the tone of a storyteller, openly acknowledging that he is only "retelling" a story by a much greater storyteller, and leaving out the juciest parts at that. His little asides where he explains, "And here the poet described the scene so touchingly..." are at once reverent and amusing, as Narayan wisely omits anything too excessive or poetic that might derail his narrative. But the story itself is wonderful, a colorful, full-blooded telling of the Ramayana, sparse, fast-moving, but with all the hallmarks of Narayan's style. This book is a must for any fan of Narayan's fiction, Indian writing, or mythology. Narayan effectively conveys the epic's timelessness, with characters and situations that echo throughout literature and film, full of profound human emotions. And this is always one of Narayan's chief strengths, to create believable, complex human characters. In his treatment, even Rama and Sita emerge as sympathetic individuals, not the cardboard cut-outs all too common given their extraordinary powers. In short, this is a magical and engaging work that I know I will read again and again in the years to come. I invite you to do the same!

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This selection from the great classic of Indian literature is the heroic tale of Prince Rama. The stories chief episodes are Rama's courtship of the youthful Sita, their exile, Sita's abduction, the search, and the great battle with Ravana, her abductor.

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The Scarlet Letter: A Kaplan SAT Score-Raising Classic Review

The Scarlet Letter: A Kaplan SAT Score-Raising Classic
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I am an SAT tutor and believe that this is one of the most valuable books of its type a student preparing for the test can read. Unfortunately, in my experience, students also find this one of the least enjoyable books. Why is it valuable?
There are 2 major areas that a student must master to improve scores on the SAT Critical Reading section: (1) Vocabulary. (2) Understanding of complex sentence structures. This book provides a student with both. (1) SAT words are bolded, their definitions conveniently located on the facing page. (2) Sentence structure is complex and the book is written in "older" English which is partly a result of the era it was written in. The college board knows this and even suggests that students read books written before 1900. The complex sentences and old language may be reasons students do not put The Scarlet Letter on their Top 10 Favorite Books List, but it does not take away from the book's value-- if you can get your child to read it.

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The Scarlet Letter: A Kaplan SAT Score-Raising Classic features:*More than 650 vocabulary words frequently tested on the SAT*Glossary of SAT words on the pages facing the text of the story

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The Bell Jar: A Novel (Perennial Classics) Review

The Bell Jar: A Novel (Perennial Classics)
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I personally find Sylvia Plath's journals her most interesting work, but this comes in at a close second. This book will challenge just about anyone who reads it, whether you're depressed or not. If you've never been depressed in the way Esther is, you're going to ask yourself why she torments herself for no reason and perhaps feel that the storyline is implausible. the deeper you go into the book, the less sympathy you'll feel for her. If you HAVE been as depressed as Esther gets, you'll feel challenged for another reason: the book will reach TOO far into your mind and make TOO deep a connection with you because, well, Sylvia Plath describes depression very well. Her writing tends to make you feel like you and no one else are experiencing what she's going through with her, and it's pretty disturbing. However, it's also a quite rewarding experience. A "bell jar" is just a very apt term for a distorted view of the world that presents everything as seemingly inherently bad. Esther lives under one all the time, and she's not truly aware of it. Eventually her life is turned into a constant waking nightmare because she can't even say what's wrong with her. It's painful to read but it makes for some damn good reading. Reading this book will give you a very graphic idea of what it's like to live under a bell jar and what happens to people who live in permanent ones. You probably won't be the same after you read it.

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Beowulf (Signet Classics) (Old English Edition) Review

Beowulf (Signet Classics) (Old English Edition)
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Beowulf is the oldest existing poem in any modern European language. Written in Old English & dating from around the 8th century, just one copy survived Henry VIII's dissolution of the Catholic monasteries.
The well known story is pretty straightforward; when Hrothgar (a Danish king) is confronted with Grendel, a monster who has taken to attacking his hall Herot, Beowulf of the Geats (Southern Sweden) comes & slays Grendel. Subsequently, Beowulf must slay Grendel's mother and towards the end of his own life, must battle a dragon.
Everyone who has ever taken a survey of English Literature course probably started with Beowulf.One can only hope that they read this 1963 translation by Burton Raffel. He has taken this great epic & provided it with a worthy translation.
Here is a sample:
..And after that bloody Combat the Danes laughed with delight. He who had come to them from across the sea, Bold and strong-minded, had driven affliction Off, purged Herot clean. He was happy, Now, with that night's fierce work; the Danes Had been served as he'd boasted he'd serve them; Beowulf. A prince of Geats, had killed Grendel, Ended the grief, the sorrow, the suffering Forced on Hrothgar's helpless people By a bloodthirsty fiend. No Dane doubted The victory, for the proof, hanging high From the rafters where Beowulf had hung it, was the monster's Arm, claw and shoulder and all.
GRADE: A+

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The epic poem of war and adventure.Beowulf is the earliest extant poem in a modern European language.It was composed in England four centuries before the Norman Conquest.But no one knows exactly when it was composed, or by whom, or why.As a social document this great epic reflects a feudal, newly Christian world of heroes and monsters, blood and victory and death.* Burton Raffel's modern language translation from the original Old English remains the most celebrated introduction of the poem to students and the general reader alike* Includes a glossary of terms

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Western Humanities, Complete Review

Western Humanities, Complete
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This book is an excellent resource for college students interested in humanities. This was the text used for my Humanities class. It was very easy to read and I was able digest the material covered without falling asleep. The photos are excellent and the captions are detailed. This is an excellent book well worth the asking price.

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This chronologically organized introduction to the Western humanities (art, music, history, literature, and drama) establishes the historical context of each era before the arts are discussed. More than 600 illustrations appear throughout the text, "Personal Perspectives" boxes bring to life the events of the day, and brief sections at the end of each chapter describe the cultural legacy of the era discussed. "The Western Humanities" is also available in two volumes: "Volume I" covers prehistory through the Renaissance; "Volume II" spans the period from the Renaissance through the present.

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Abriendo Puertas = Always We Begin Again - Antologia de literatura en espanol Tomo I (Spanish Edition) Review

Abriendo Puertas = Always We Begin Again - Antologia de literatura en espanol Tomo I (Spanish Edition)
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This book along with "Tomo I" are without a doubt the AP Spanish Lit Exam. I had both books during the last school year and 4 of the featured stories in the books appeared on the MC section and another 4 appeared on the free response section. Bottom line if you are looking to take AP Spanish Lit exam this is the book for you. In addition it is a great read for anyone who is wants to start reading Spanish literature. The books feature a variation of authors from all of Mexico, South and Central America, and Spain. Stories come with a brief biography of the author and provide some background of the writers. In addition colloquial phrases and complex words are defined in the same page they are printed and are marked with numbers making them easy to find in the story and list. In short I really liked this book and recommend it to anyone taking the AP Lit exam or interested in Spanish literature.
-Alex

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Macbeth (Folger Shakespeare Library) Review

Macbeth (Folger Shakespeare Library)
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Virtually all editions of Macbeth will have at least some annotations. Rummaging through five different editions, I preferred the Yale University Press version, edited by Burton Raffel, as having the most comprehensive and comprehensible notes, as well as an excellent introduction to Shakespeare's play. Raffel not only explains the meanings of obscure words, but also gives brief notes pertaining to relevant history, geography, stage directions, etc, that are rarely addressed as fully by other editors. In addition, Raffel frequently gives the proper way to stress the syllables in a line when reading it aloud, which can be extremely helpful. (However, in most places these stresses need to be very subtle, so that you don't sound like "taDUM taDUM taDUM".) And Yale's page layout is among the clearest that I've seen.
(To find this edition: at Avanced Search, enter ISBN 0300106548; or, enter Macbeth as title, and either Raffel as author or Yale as publisher.)
As a bonus, this edition includes at the back a long essay on the play by Harold Bloom. This is not an uninteresting commentary, but Bloom desperately needs a good editor. His essay is not only at least three times longer than it should be, but is startlingly repetitious. Yale would have been wise to have asked Bloom for a rewrite.


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Each edition includes: • Freshly edited text based on the best early printed version of the play • Full explanatory notes conveniently placed on pages facing the text of the play • Scene-by-scene plot summaries • A key to famous lines and phrases • An introduction to reading Shakespeare's language • An essay by an outstanding scholar providing a modern perspective on the play • Illustrations from the Folger Shakespeare Library's vast holdings of rare books Essay by Susan Snyder The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.

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World Literature An Anthology of Great Short Stories, Poetry, and Drama Review

World Literature An Anthology of Great Short Stories, Poetry, and Drama
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This is an excellent text for use in introductory world literature courses at either the high school or college levels. It offers a wide array of short stories, drama, and poetry by respected authors throughout history and up into the 20th century. Included are ancient pieces such as Akhenaton's "Hymn to the Aton" and Psalm 23 from the Bible, works by modern authors like Alice Walker, and everything in between, including Shakespeare, Tolstoy, Kafka, Dante, Dostoyesvsky, Yeats, Brontë, Wordsworth, Sophocles, Schiller, Ibsen, Colette, Bombal, Hemingway, Poe, Dickinson, and many more. There are 76 pieces in all, categorized by continent / region: the Mediterranean, Continental Europe, Africa, the Far East, Latin America, North America, and Great Britain.
Each piece, usually one of that particular author's best and most famous, is introduced by the editor with information on the author's life, times, and works. There are also accompanying critical questions for each story, play, and poem. I found that these were very useful as jumping-off points for the analysis of a piece, helping to start the critical thinking process. In addition, the editor suggests a few creative writing exercises to go along with each piece. I enjoyed using this book and feel that I gained a lot from it. The pieces are well-selected and give a nice sampling of literature from all geographical regions and time periods, including works in all genres and literary styles. Definitely a recommended text.

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World Literature © 2004 is a superb collection of short stories, poems, and plays from around the globe. This anthology is ideally suited for use as an integral part of the standard high school English curriculum or for a global literature elective. Content and activities provide valuable practice in preparing high school students for college classes or for the Advanced Placement exam. World Literature can also be used in an English-social studies core program that focuses on the study of world cultures, or as the perfect literature supplement to a world history course!


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The Confessions of St. Augustine Review

The Confessions of St. Augustine
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Like the Carolinne White translation of the "Confessions," also carried by Amazon, this paperback does not have the complete original text. Rather, some of the ideas have been selected out by someone and are here rephrased into more contemporary language. That's OK, but anyone buying this book ought to know that this version is an abridgement and not the full text of the "Confessions" that they're buying.

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Confessions is one of the most moving diaries ever recorded of a man's journey to the fountain of God's grace. Writing as a sinner, not a saint, Augustine shares his innermost thoughts and conversion experiences and wrestles with the spiritual questions that have stirred the hearts of the thoughtful since time began.Starting with his childhood in Numidia, through his youth and early adulthood in Carthage, Rome, and Milan, readers will see Augustine as a human being, a fellow traveler on the road to salvation. Though staggering around potholes and roadblocks, all Chrisitians will find strength in Augustine's message: When the road gets rough, look to God! Previously released in 1977, this book invites readers to join Augustine in his quest that led him to be one of the most influential Christian thinkers in the history of the church.

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The Bedford Anthology of American Literature, Volume Two: 1865 to Present Review

The Bedford Anthology of American Literature, Volume Two: 1865 to Present
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This is a great book. Usually anthologies are long, boring, and have little pictures. This anthology is slightly different. It has background information on the authors and time period. A+ book.

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Prepared by recognized scholars and devoted teachers, The Bedford Anthology of American Literature brings the canon of American literature down to a manageable size. Half the length of other leading anthologies, and offered at a much lower price, the anthology reflects years of firsthand experience in the classroom and extensive research on what instructors are actually teaching in the survey course today. Prepared expressly for students and informed by the new understandings of and approaches to American literature that have emerged during the last 30 years, the anthology is lavishly illustrated and features several pedagogical innovations that help students engage with the literature.

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Animal Farm Review

Animal Farm
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"Animal Farm" by George Orwell was never required reading for me when I was in school, so it took me some time to finally get around to reading it. I found it to be a complete and enjoyable read that had me hooked from the very first sentence. It is an excellent exercise in symbolism and creative imagination. While the book may be a very short read, it brings a whole lot to the table by giving you an interesting take on how history can be reenacted in the most imaginative ways.

The animals on Mr. Jones' farm have had enough of what they deem to be slavery. They're tired of being ordered around by humans while they see no benefits in their daily work. This is all sparked by a dream that the boar, Major, had about a unique place where animals called the shots and never had to be ordered around by humans ever again. He tells them a revolution is very much needed. When Major dies, the animals act quickly and are able to overthrow the alcoholic farmer and his thugs from his very own farm. The pigs are in charge now, as they claim that they are much smarter than the others and know how to lead. What seems to be paradise quickly transforms into another form of slavery altogether enforced by propaganda and threats from the pigs. And yet, the animals do not know any better, as they are deceived by the new system that gives them the illusion that they are better off than they were with Mr. Jones calling the shots.

The book is greatly inspired by real events that went down during the era of communism in Russia, using animals as the actual people. While it helps to know about that time period, the book is written so well that it is easily understood even if you only know a little about what happened during that time. The use of animals was a very creative way to tell this story, as it gives you a big incentive to actually care for these characters. Had this just been about real people, then it would've just sounded like anything you could find in your history books. Orwell finds a much more interesting way of tackling the topic. He gives life to every one of his characters and they all elicit some kind of a feeling from you. There are times when the book is funny, and then there are times when it is just downright chilling (the last chapter will stay in your head for more than a few hours).

George Orwell's "Animal Farm" is a genuine masterpiece that quickly hooks the reader from the very beginning. It's an extremely easy read as well as an enjoyable one--not enjoyable in the sense that this is a "happy tale," but enjoyable in the sense that you really feel like you're reading something great. If you haven't had the chance to check it out, make sure you add this to your reading list. It is something that should be read by everyone at least once in their life, even if they don't end up enjoying it as much as others. I loved every single word that was written in the extremely creative read. This is an important classic in literature that shouldn't be missed for any reason. -Michael Crane

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Sophocles I: Oedipus The King, Oedipus at Colonus, Antigone (The Complete Greek Tragedies) Review

Sophocles I: Oedipus The King, Oedipus at Colonus, Antigone (The Complete Greek Tragedies)
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Researching translations is never an easy task, and in this case, where you'll have to search on Amazon for the title and the translator to find what you want, it's particularly difficult.
Here's what I've found by comparing several editions:
1. David Grene translation: Seems to be accurate, yet not unwieldy as such. My pick. Language is used precisely, but not to the point where it's barely in English.
2. Fitts/Fitzgerald translation: Excellent as well, though a little less smooth than the Grene one. Certainly not a bad pick.
3. Fagles translation: Beautiful. Not accurate. If you are looking for the smoothest English version, there's no doubt that this is it. That said, because he is looser with the translation, some ideas might be lost. For instance, in Antigone, in the beginning, Antigone discusses how law compels her to bury her brother despite Creon's edict. In Fagles, the "law" concept is lost in "military honors" when discussing the burial of Eteocles. This whole notion of obeying positive law or natural law is very important, but you wouldn't know it from Fagles. In Grene, for example, it is translated to "lawful rites."
4. Gibbons and Segal: Looks great, but right now the book has only Antigone (and not the rest of the trilogy) and costs almost 3x as much. I'll pass. But, from a cursory review, I'm impressed with their work.
5. MacDonald: This edition received some good write-ups, but I wasn't able to do a direct passage-to-passage comparison.
6. Woodruff: NO, NO, NO. Just NO. It's so colloquial it makes me gag. Very accessible, but the modernization of the language is just so extreme as to make it almost laughable. You don't get any sense of the power of language in the play. You just get the story. If you want this to be an easy read, then get Fagles, not this.
7. Kitto: Looks good, though not particularly compelling over either Grene or Fitzgerald (or Gibbons if I wanted to pay so much more).
8. Roche: Practically unreadable the English is so convoluted. Might be the most literal translation, but what's the point unless you are learning Greek and want such a direct translation.
9. Taylor: Way too wordy. Might be more literal, but again, why?
Hope this all helps. Translations can make or break the accessibility of literature. Pick wisely.

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"These authoritative translations consign all other complete collections to the wastebasket."—Robert Brustein, The New Republic"This is it. No qualifications. Go out and buy it everybody."—Kenneth Rexroth, The Nation"The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary....They have life and speed and suppleness of phrase."—Times Education Supplement"These translations belong to our time. A keen poetic sensibility repeatedly quickens them; and without this inner fire the most academically flawless rendering is dead."—Warren D. Anderson, American Oxonian"The critical commentaries and the versions themselves...are fresh, unpretentious, above all, functional."—Commonweal"Grene is one of the great translators."—Conor Cruise O'Brien, London Sunday Times"Richmond Lattimore is that rara avis in our age, the classical scholar who is at the same time an accomplished poet."—Dudley Fitts, New York Times Book Review

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One Thousand and One Arabian Nights (Oxford Story Collections) Review

One Thousand and One Arabian Nights (Oxford Story Collections)
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As the teacher of an elementary school program for gifted and talented children, I wanted to introduce my fourth-grade students to the wonderful tales of the Arabian Nights that I so enjoyed myself as a child. I scanned virtually every translation I could find and found strong reasons not to select any of them--the language was old-fashioned and stilted, making the wonderful tales dreary to read. Then I came across this translation and knew I had found what I was looking for. The author writes in a clear, accessible style that truly brings these wonderful tales to life for a modern audience. The enthusiasm my students show for these stories demonstrates McCaughrean's skill as an author. I highly recommend this book for both children and adults.

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King Shahryar kills a new wife every night, because he is afraid she will stop loving him. But his new bride Shahrazad has a clever plan to save herself. Her nightly stories--of Sinbad the Sailor, Ali Baba, and many other heroes and villains--are so engrossing that King Shahryar has to postpone her execution again and again... This illustrated edition brings together all the Arabian Nights tales in an original retelling by award-winning author Geraldine McCaughrean.(paperback reissue of ISBN 0-19-274500-X)

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The Collected Poems of W.B. Yeats Review

The Collected Poems of W.B. Yeats
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There isn't much question whether Yeats was a great poet, just where on the all time great list he falls. Whether you call him the greatest poet of the 20th century, or the greatest since Wordsworth, Milton or Shakespeare, his accomplishments are clear.
Beyond that, why should anyone buy this edition as opposed to any of the other available? First, the collected poems gives you a sense of his development and interests, not just the highlights of his greates poems. Second, and more importantly, this edition is well-annotated. The notes are thorough without being unduly interpretive--they tell you what an allusion refers to, not how it affects the meaning of the poem. The notes aim to be useful to any reader, regardless of background. As a result, western readers will come across odd sounding notes such as "Jesus Christ is the founder of Christianity" or "Hamlet is the hero of William Shakespeare's tragedy of the same name." Still, you'll be thankful for such prosaic entries as they explain Irish myth and locate historical allusions. All in all, it's an edition that belongs on any poetry lover's shelf.

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In Our Time Review

In Our Time
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In Our Time is a great collection of Ernest Hemingway's early short stories, which he wrote when he was at his peak as a writer. I love the way he uses simple descriptions and dialogue to narrate them, giving a more natural feel to the stories. You can see his tough writing style beginning to show already at this point of his career. Most parts will be confusing to the novice reader because Hemingway really wants you to infer what the stories are about - he will not go right out and tell you. There really is no single theme to this whole book, but it basically shows how life was back in the 1920's. Many of Hemingway's works were based on his own experiences in life, which is very interesting. "The Doctor and the Doctor's Wife" was based on the author's own father, who was, in Hemingway's mind, a coward. "Soldier's Home" is an excellent story of a distressed soldier coming home from The Great War. "A Very Short Story" was based on Hemingway's own romance with a nurse while he was overseas during the war. "Indian Camp" and "The Battler" are two of my favorites. It has been said that the character Nick Adams was really Hemingway, and when you read the Nick Adams stories along with a biography on Hemingway's life, it is easy to see why. Each story in this collection has a meaning unto itself, and I highly recommend that you read all of them.

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THIS COLLECTION OF SHORT STORIES AND VIGNETTES MARKED ERNEST HEMINGWAY'S AMERICAN DEBUT AND MADE HIM FAMOUS When In Our Time was published in 1925, it was praised by Ford Madox Ford, John Dos Passos, and F. Scott Fitzgerald for its simple and precise use of language to convey a wide range of complex emotions, and it earned Hemingway a place beside Sherwood Anderson and Gertrude Stein among the most promising American writers of that period. In Our Time contains several early Hemingway classics, including the famous Nick Adams stories "Indian Camp," "The Doctor and the Doctor's Wife," "The Three Day Blow," and "The Battler," and introduces readers to the hallmarks of the Hemingway style: a lean, tough prose -- enlivened by an car for the colloquial and an eye for the realistic that suggests, through the simplest of statements, a sense of moral value and a clarity of heart. Now recognized as one of the most original short story collections in twentieth-century literature, In Our Time provides a key to Hemingway's later works.

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Mrs. Dalloway Review

Mrs. Dalloway
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Although the time covered in this complex novel is only one day, Virginia Woolf, through her genius, manages to cover a lifetime unraveling and exposing the mysteries of the human personality.
The central character of the novel is the delicate Clarissa Dalloway, a disciplined English gentlewoman who provides the perfect contrast to another of the book's characters, Septimus Warren Smith, an ex-soldier whose world is disintegrating into chaos. Although Clarissa and Septimus never meet, it is through the interweaving of each one's story into a gossamer whole that Woolf works her genius.
The book is set on a June day in 1923, as Clarissa prepares for a party that evening. Unfolding events trigger memories and recollections of her past, and Woolf offers these bits and pieces to the reader who must then construct the psychological and emotional makeup of Clarissa Dalloway in his own mind. We also learn much about Clarissa through the thoughts of other characters, such as her one-time lover, Peter Walsh, her friend, Sally Seton, her husband, Richard and her daughter Elizabeth.
It is Septimus Warren Smith, however, driven to the brink of insanity by the war, an insanity that even his wife's tender ministrations cannot cure, who acts as Clarissa's societal antithesis and serves to divide her world into the "then" and the "now."
In this extremely complex and character-driven novel, Woolf offers her readers a challenge. The novel is not separated into chapters; almost all of the action occurs in the thoughts and reminiscences of the characters and the reader must piece together the story from the random bits and pieces of information each character provides. The complexity of the characters may add to the frustration because Woolf makes it difficult for the reader to receive any single dominant impression of any one of them. This, however, forms the essence of the novel and displays the genius of Woolf: It is impossible to describe any human being in a simple phrase or collection of adjectives. We are many things to many people, all of them somewhat different, none of them the same, just as we are many things to ourselves.
Throughout the book, the reader is constantly called upon to compare and contrast Peter Walsh and Richard Dalloway, the two significant love interests in Clarissa Dalloway's life. Compared to Peter, an adventurer, Richard Dalloway appears more than a bit reserved and dour. But, readers must constantly question this view of Richard as his personality seems to alter with his altering relationships.
Intimacy, particularly emotional intimacy, and the preservation of one's uniqueness are two of Woolf's continuing themes. We find that Clarissa married Richard, in part, to preserve her sense of self; Peter would have demanded far more of her than she was, perhaps, willing to give. Here, Clarissa and Septimus, so outwardly different, would find they share much in common. While Clarissa feels threatened by her daughter's tenacious tutor, Miss Kilman, as well as by Peter, Septimus feels threatened by his doctor. Each feels the others are asking too much. Septimus and Clarissa even agree on the subject of death: "There is no death," Septimus declares, while Clarissa, the atheist, secretly believes that bits and pieces of her will remain intact forever.
Although some characters in this book may, at first, appear to be one-dimensional, we soon learn that all are extraordinarily complex. There is Sally, impulsive yet considerate; Richard, bashful yet timid; Peter inhibited yet adventurous; Septimus, insane yet credible. And Clarissa? She is all of these things and more.
It is, however, Woolf's torrential stream-of-consciousness prose that makes this novel a true masterpiece. Even those who find the plot of little interest will be drawn in by the exquisiteness of Woolf's language. This is a complex, character study in the fullest sense of the word, one with no easy answers, for Woolf, in the end seems to be telling us that perhaps, at our essence, we are all unknowable, even to ourselves.

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Avancemos: Level 2 (Spanish Edition) Review

Avancemos: Level 2 (Spanish Edition)
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Textbook was received in the condition expected based on seller's comments. Shipping occured quickly and textbook was received well before estimated delivery date indicated. Thank you and good job.

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