Showing posts with label classic mythology and literature. Show all posts
Showing posts with label classic mythology and literature. Show all posts

Sophocles I: Oedipus The King, Oedipus at Colonus, Antigone (The Complete Greek Tragedies) Review

Sophocles I: Oedipus The King, Oedipus at Colonus, Antigone (The Complete Greek Tragedies)
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Researching translations is never an easy task, and in this case, where you'll have to search on Amazon for the title and the translator to find what you want, it's particularly difficult.
Here's what I've found by comparing several editions:
1. David Grene translation: Seems to be accurate, yet not unwieldy as such. My pick. Language is used precisely, but not to the point where it's barely in English.
2. Fitts/Fitzgerald translation: Excellent as well, though a little less smooth than the Grene one. Certainly not a bad pick.
3. Fagles translation: Beautiful. Not accurate. If you are looking for the smoothest English version, there's no doubt that this is it. That said, because he is looser with the translation, some ideas might be lost. For instance, in Antigone, in the beginning, Antigone discusses how law compels her to bury her brother despite Creon's edict. In Fagles, the "law" concept is lost in "military honors" when discussing the burial of Eteocles. This whole notion of obeying positive law or natural law is very important, but you wouldn't know it from Fagles. In Grene, for example, it is translated to "lawful rites."
4. Gibbons and Segal: Looks great, but right now the book has only Antigone (and not the rest of the trilogy) and costs almost 3x as much. I'll pass. But, from a cursory review, I'm impressed with their work.
5. MacDonald: This edition received some good write-ups, but I wasn't able to do a direct passage-to-passage comparison.
6. Woodruff: NO, NO, NO. Just NO. It's so colloquial it makes me gag. Very accessible, but the modernization of the language is just so extreme as to make it almost laughable. You don't get any sense of the power of language in the play. You just get the story. If you want this to be an easy read, then get Fagles, not this.
7. Kitto: Looks good, though not particularly compelling over either Grene or Fitzgerald (or Gibbons if I wanted to pay so much more).
8. Roche: Practically unreadable the English is so convoluted. Might be the most literal translation, but what's the point unless you are learning Greek and want such a direct translation.
9. Taylor: Way too wordy. Might be more literal, but again, why?
Hope this all helps. Translations can make or break the accessibility of literature. Pick wisely.

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"These authoritative translations consign all other complete collections to the wastebasket."—Robert Brustein, The New Republic"This is it. No qualifications. Go out and buy it everybody."—Kenneth Rexroth, The Nation"The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary....They have life and speed and suppleness of phrase."—Times Education Supplement"These translations belong to our time. A keen poetic sensibility repeatedly quickens them; and without this inner fire the most academically flawless rendering is dead."—Warren D. Anderson, American Oxonian"The critical commentaries and the versions themselves...are fresh, unpretentious, above all, functional."—Commonweal"Grene is one of the great translators."—Conor Cruise O'Brien, London Sunday Times"Richmond Lattimore is that rara avis in our age, the classical scholar who is at the same time an accomplished poet."—Dudley Fitts, New York Times Book Review

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Mythology: Timeless Tales of Gods and Heroes Review

Mythology: Timeless Tales of Gods and Heroes
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Hamilton's mythology deserves its place with Bulfinch's mythology as one of the primary anthologies of classical mythology. Although the book covers Greek/Roman myths thoroughly, the Norse myths are touched upon only briefly, which is why I have given the book four stars rather than five. Nonetheless, the quality of the book is excellent, and it is useful as a volume to be read for entertainment, and as a classroom primer (I myself have taught a Mythology class using it as the primary textbook). Hamilton's retellings are engaging, and her scholasticism is evident throughout--a small example is her use of the less popular Roman names for the primary gods (Jupiter, Juno, Mars, etc.) when they are found in myths of Roman origin. Hamilton also includes information at the beginning of most chapters about the source of the myth and its author, which is very helpful. She synthesizes the longer myths, such as the Trojan War (found in the Iliad) and the quest for the golden fleece in such a way as to highlight their major events and give the reader a flavor of their content. Overall, I have not encountered a better survey of classical mythology in one volume. Incidentally, if the reader desires more information on the Norse Myths, I recommend Kevin Crossley-Holland's Norse Myths, which is also an excellent volume.

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MONSTERS, MORTALS, GODS, AND WARRIORSFor over fifty years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology. From Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom, Edith Hamilton's classic collection not only retells these stories with brilliant clarity but shows us how the ancients saw their own place in the world and how their themes echo in our consciousness today. An essential part of every home library, MYTHOLOGY is the definitive volume for anyone who wants to know the key dramas, the primary characters, the triumphs, failures, fears, and hopes first narrated thousands of years ago -- and still spellbinding to this day.

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Plato: Apology (Greek Edition) Review

Plato: Apology (Greek Edition)
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This book was wonderfully organized for those who would like to read ancient Greek texts. We can read Plato's Apology without looking up the Greek dictionary. In the appendices, some Sentence Diagrams,table of the tense of the verbs of the Principal Parts, Word Frequency List, and the Vocabulary List were provided.

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The revised edition of this popular textbook features revised vocabulary and grammatical notes that now appear on the same page as the text, sentence diagrams, principal parts of verbs listed both by Stephanus page and alphabetically, word frequency list for words occurring more than twice, and complete vocabulary.Also available:Meleager: The Poems - ISBN 0865162549Asclepiades of Samos and Leonidas of Tarentum: The Poems - ISBN 0865164568For over 30 years Bolchazy-Carducci Publishers has produced the highest quality Latin and ancient Greek books. From Dr. Seuss books in Latin to Plato's Apology, Bolchazy-Carducci's titles help readers learn about ancient Rome and Greece; the Latin and ancient Greek languages are alive and well with titles like Cicero's De Amicitia and Kaegi's Greek Grammar. We also feature a line of contemporary eastern European and WWII books. Some of the areas we publish in include: Selections From The Aeneid Latin Grammar & Pronunciation Greek Grammar & Pronunciation Texts Supporting Wheelock's Latin Classical author workbooks: Vergil, Ovid, Horace, Catullus, Cicero Vocabulary Cards For AP Selections: Vergil, Ovid, Catullus, Horace Greek Mythology Greek Lexicon Slovak Culture And History

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Vergil's Aeneid (Latin Edition) Review

Vergil's Aeneid (Latin Edition)
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I used this book nearly 20 years ago in a class devoted to studying and translating the Aeneid; looking at the copyright page, I can see that the first copyright on the book was back in 1930. Clyde Pharr produced a far-reaching book, for it to remain in effective, useful life for such a long term. Reprinted now by the Bolchazy-Carducci Press (the press responsible for such fun books as 'Cat in the Hat' and 'Green Eggs and Ham' in Latin), it remains one of the better books for students, classroom and independent study types, to use to learn Latin and study the Aeneid.
Each page consists of anywhere from five to twenty lines of text from Vergil's Aeneid. The rest of the page is devoted to reader notes. These are in two sections -- first, a secondary vocabulary list taken from the lines above; the bottom section are generous notes, which give unique vocabulary, grammar points, special usage notes, history and more. The text is printed with most general vocabulary printed in standard font face (these are words that occur frequently), and can be found on the General Word List in the back. Other words appear in italics, and are found in the list in the middle of the page. At the end of the book, there are lists of words broken into frequency -- the General Word List contains all words occuring 24 times or more in the six books; two other lists have the words which occur 12-23 time and 6-11 times, respectively. The amount of memorisation for vocabulary versus looking up words in the notes can then be regulated by the student or teacher.
There is a grammatical appendix at the end, with 477 separate items of concern. Much of this is review from prior Latin grammars the student is supposed to have learned; a companion Latin grammar is also recommended by Pharr (there are several from which to choose). The appendix follows different pagination, and even has its own index.
The Aeneid is a fascinating text, one of the greatest epics of the ancient world; it takes up the task of the Iliad/Odyssey cycle and 'updates', if you will, the story line into the Roman era. Pharr's book helps the reader to work with it in its original language, easily and methodically, with only a minimum of Latin training (one year is probably sufficient) required for engagement.

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Both paperback and clothbound now contain an 'Annotated Bibliography on Vergil, to Supplement Pharr's Aeneid,' by Alexander McKay, a bibliography of articles and books in English, for use in college and high school Vergil courses, for students and their teachers.Also Available:Vergil's Aeneid: Selections from Books 1, 2, 4, 6, 10, and 12 - ISBN 0865164819Poet & Artist: Imaging the Aeneid - ISBN 0865165858For over 30 years Bolchazy-Carducci Publishers has produced the highest quality Latin and ancient Greek books. From Dr. Seuss books in Latin to Plato's Apology, Bolchazy-Carducci's titles help readers learn about ancient Rome and Greece; the Latin and ancient Greek languages are alive and well with titles like Cicero's De Amicitia and Kaegi's Greek Grammar. We also feature a line of contemporary eastern European and WWII books. Some of the areas we publish in include: Selections From The Aeneid Latin Grammar & Pronunciation Greek Grammar & Pronunciation Texts Supporting Wheelock's Latin Classical author workbooks: Vergil, Ovid, Horace, Catullus, Cicero Vocabulary Cards For AP Selections: Vergil, Ovid, Catullus, Horace Greek Mythology Greek Lexicon Slovak Culture And History

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Plato and the Socratic Dialogue: The Philosophical Use of a Literary Form Review

Plato and the Socratic Dialogue: The Philosophical Use of a Literary Form
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This is one of the best books on Plato that I have read. Kahn's thesis--that Plato's early and middle dialogues present a unified philosophical vision that is gradually revealed from dialogue to dialogue (what Kahn calls the "ingressive method")--is a new twist on the unitarian thesis that the Platonic corpus gives no evidence for the sort of philosophical development that has been spotted by interpreters such as Grote, Campbell, Vlastos, Owen, and many others (probably most others, in fact). But even if one is a developmentalist at heart, one can benefit greatly from reading this book. The approach is both philosophical and scholarly, of use both to the philosopher and to the classicist. Even when it is difficult to agree with Kahn (for example, he holds that the Gorgias is an earlier work than the Protagoras, in spite of what appears to be a more complex moral psychology and a more sensitive treatment of the hedonist thesis in the former), grappling with his arguments can be both a challenge and a thrill. Rarely does disagreement serve to educate so well.
It is disappointing, though fully understandable, that this book does not treat the late dialogues. There are hints here and there that Kahn thinks he could extend his thesis further, but his treatment of the Pheadrus in the last chapter is more promisory than productive.

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This book offers a new interpretation of Plato's early and middle dialogues as the expression of a unified philosophical vision. Whereas the traditional view sees the dialogues as marking successive stages in Plato's philosophical development, we may more legitimately read them as reflecting an artistic plan for the gradual, indirect and partial exposition of Platonic philosophy. The magnificent literary achievement of the dialogues can be fully appreciated only from the viewpoint of a unitarian reading of the philosophical content.

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Myth and Knowing: An Introduction to World Mythology Review

Myth and Knowing: An Introduction to World Mythology
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Though many have attempted such a feat, in Myth & Knowing, Leonard and McClure have finally written the foundational textbook for comparative mythologies, and, in doing so, have also created a remarkable text for exploring the transition from oral tradition to written text. As the title suggests, Myth & Knowing moves beyond a simple reiteration of the stories by grouping them into conceptual chapters (Creation Myths, The Female Divine, The Male Divine, Trickster Myths, and Sacred Places)which not only invites direct comparisons but creates archetypal structures that become the critical basis for analyzing modern mythologies and even modern epistomologies. I have used this text with great success in introductory mythology, religion, and literature classes.

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Myth and Knowing is a rich resource of myths and mythology through theages, in which scholarly and literary materials combine to provide a seamlessportrait of this multicultural topic. Balanced and nuanced discussionsexplore the ways in which myths have portrayed both men and women. Inaddition, art and maps contextualize selected myths, providing insights intothe cultures and religious traditions from which they originated.


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