Showing posts with label in the mediterranean. Show all posts
Showing posts with label in the mediterranean. Show all posts

Bonjour Tristesse Review

Bonjour Tristesse
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`Bonjour Tristesse' is a typical French coming-of-age story. Written in the 1950s' it was an instantaneous scandal for dealing so clearly with teenagers and their sexuality. The times have change, we see the world in a different way, adolescents are the same, but this novel still holds the interest.
Cécile is a precocious seventeen-year-old girl who travels to the French Riviera in the company of her father and his mistress. She is used to having different women around with her father all the time. But when he decides to marry one of them, Cécile and her lover Cyril decide to do something to stop him. Meanwhile, she is also learning about life, love, sex and pleasures. All these life-changing experiences will make the girl grow up towards to womanhood.
Françoise Sagan writes about something she knew, and it makes the book very interesting to read. Her prose never sounds fake or far-fetched. Although, it is a little dated --some of Cécile's acts that were daring by that day are just `normal' nowadays-- it has not lost its freshness. The Riviera settings are beautifully described, and we're often asking what the girl will do next.
It is undeniable it is a novel about that time in our lives when we're not a child any more and not yet an adult. With a mind filled with questions, we're trying to define who we are and will be in the future to come. Cécile has to face tragic events to understand what her life is and what it will be like for the next years. While many consider her being a spoilt little brat, this is the time when she is forced to stop being that, and see she won't have her father papering her forever.
`Bonjour Tristesse' opens with a powerful paragraph that reads: `A strange melancholy pervades me to which I hesitate to give the name of sadness'. At this point, had we any doubts it is a book about teenage angst, they are all dissipated.
Sagan wrote this novel when she failed to pass her examination at Sorbonne. The book became an international best seller and also a movie. While `Bonjour Tristesse' is a short and quick book, it is a good work of fiction, and probably Sagan's masterpiece.

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Set against the translucent beauty of France in summer, Bonjour Tristesse is a bittersweet tale narrated by Cécile, a seventeen-year-old girl on the brink of womanhood, whose meddling in her father's love life leads to tragic consequences.
Freed from boarding school, Cécile lives in unchecked enjoyment with her youngish, widowed father -- an affectionate rogue, dissolute and promiscuous. Having accepted the constantly changing women in his life, Cécile pursues a sexual conquest of her own with a "tall and almost beautiful" law student. Then, a new woman appears in her father's life. Feeling threatened but empowered, Cécile sets in motion a devastating plan that claims a surprising victim.
Deceptively simple in structure, Bonjour Tristesse is a complex and beautifully composed portrait of casual amorality and a young woman's desperate attempt to understand and control the world around her.


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Romeo and Juliet Review

Romeo and Juliet
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Of course this is an immortal story that has been read for centuries and at least one beautiful motion picture has been based on it. But, I guess I'm a "dunce" because I never could understand much of the dialogue. "What he say?" was my reaction to much of it. But, I discovered these Folger Shakespeare Library editions that have the dialogue as written by Shakespeare in Elizabethan English on the right side of the page and the "translations" and explanations on the left. Wow! That format makes it very easy to enjoy this book without going to a dictionary every 90 seconds or so! And, for teachers, I think they'll be overjoyed when they see the positive results they could get in class! If you have any opinions about this edition please email boland7214@aol.

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Candide Review

Candide
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Ever since philosophers began thinking about the meaning of life, a favorite question has been "Why do bad things happen to good people?". In Voltaire's day, this issue was primarily pursued either from the perspective of faith (everything that happens is God's will and must be for Divine purpose) or of reason (What do these events mean to you, as you interpret them subjectively?). Infuriated by the reaction by some members of the church to a horrible loss of life from an earthquake in Lisbon, Voltaire wrote this hard-biting satire of the human condition to explore these questions.
Before reading further, let me share a word of caution. This book is filled with human atrocities of the most gruesome sort. Anything that you can imagine could occur in war, an Inquisition, or during piracy happens in this book. If you find such matters distressing (as many will, and more should), this book will be unpleasant reading. You should find another book to read.
The book begins as Candide is raised in the household of a minor noble family in Westphalia, where he is educated by Dr. Pangloss, a student of metaphysical questions. Pangloss believes that this is the best of all possible worlds and deeply ingrains that view into his pupil. Candide is buoyed by that thought as he encounters many setbacks in the course of the book as he travels through many parts of Europe, Turkey, and South America.
All is well for Candide until he falls in love with the Baron's daughter and is caught kissing her hand by the Baron. The Baron immediately kicks Candide out of the castle (literally on the backside), and Candide's wanderings begin. Think of this as being like expulsion from the Garden of Eden for Adam. Soon the penniless Candide finds himself in the Bulgarian army, and receiving lots of beatings while he learns to drill.
The story grows more far-fetched with each subsequent incident. To the casual reader, this exaggeration can seem unnecessary and annoying. It will remind you of the most extreme parts of Swift in Gulliver's Travels and Rabelais in Gargantua and Pantagruel. But subtly, Voltaire is using the exaggeration to lure the reader into making complacent judgments about complacency itself that Voltaire wants to challenge. The result is a deliciously ironical work that undermines complacency at a more fundamental level than I have seen done elsewhere. Basically, Candide challenges any view you have about complacency that is defined in terms of the world-view of those who are complacent.
Significant changes of circumstances (good and ill) occur to all of the members of the Baron's household over the course of the story. Throughout, there is much comparing of who has had the worst luck, with much feeling sorry for oneself.
That is the surface story. Voltaire is, however, a master of misdirection. Beneath the surface, Voltaire has another purpose for the book. He also wants to expose the reader to questioning the many bad habits that people have that make matters worse for everyone. The major themes of these undercurrents are (1) competing rather than to cooperating, (2) employing inhumane means to accomplish worldly (and many spiritual) ends, (3) following expected rules of behavior to show one's superiority over others that harm and degrade others, (4) focusing on money and power rather than creating rich human relationships, (5) hypocritical behavior, and (6) pursuing ends that society approves of rather than ends that please oneself.
By the end of the story, the focus shifts again to a totally different question: How can humans achieve happiness? Then, you have to reassess what you thought about the book and what was going on in Voltaire's story. Many readers will choose to reread the book to better capture Voltaire's perspective on that final question, having been surprised by it.
Candide is one of my favorite books because it treats important philosophical questions in such an unusual way. Such unaccustomed matching of treatment and subject matters leaves an indelible impression that normal philosophical arguments can never match. Voltaire also has an amazing imagination. Few could concoct such a story (even by using illegal substances to stimulate the subconscious mind). I constantly find myself wondering what he will come up with next. The story is so absurd that it penetrates the consciousness at a very fundamental level, almost like doing improvisation. In so doing, Voltaire taps into that feeling of "what else can happen?" that overcomes us when we are at our most pessimistic. So, gradually you will find yourself identifying with the story -- even though nothing like this could ever happen to you. Like a good horror story, you are also relieved that you can read about others' troubles and can put your own into perspective. This last point is the fundamental humanity of the story. You see what a wonderful thing a kind word, a meal, or a helping hand can be. That will probably inspire you to offer those empathic actions more often.
After you have finished Candide, I suggest that you ask yourself where complacency about your life and circumstances is costing you and those you care about the potential for more health, happiness, peace, and prosperity. Then take Voltaire's solution, and look around you for those who enjoy the most of those four wonderful attributes. What do those people think and do differently from you?


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Constantine, Christianity and Constantinople Review

Constantine, Christianity and Constantinople
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The governing claim of this book is that CONSTANTINE THE IGNORAMUS and his brutal, Un-Roman and sickeningly oriental beliefs, his methods, his tactics to convert and enslave Roman civilization to the culturally poisonous, neurosis-producing, science-denying-and-destroying, joy-killing world-view of Christianity ultimately manifests as "very positive," and in fact is the best, greatest event in human history.
All you need is the first page and a vomit bag.

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The dramatic, miraculous conversion of Constantine led to the spread of Christianity throughout the world and transformed the history of mankind.

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Romeo and Juliet (No Fear Shakespeare Graphic Novels) (No Fear Shakespeare Illustrated) Review

Romeo and Juliet (No Fear Shakespeare Graphic Novels) (No Fear Shakespeare Illustrated)
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I have taught English 9 to learning disabled students in a small-group setting for ten years. I used this graphic novel for the first time this year (2010-2011), having used parallel texts (Shakespeare on one page and modern English on the opposite page) in previous years. Since we have to read the text together--because of the students' decoding and comprehension deficits, and it is written as a comic rather than a play (with designated parts), I had students volunteer, two at a time. They would take turns with one reading a page and then the other, the next page. It went well. The students loved it and were actually enthusiastic. The one thing that probably isn't so necessary for 9th grade is the footnotes with explanations of sexual connotations in some of the scenes. Although I skipped over this, the students didn't.
At any rate, my students understood the content more easily than with the parallel texts. Most of my students are struggling readers who have trouble comprehending text, particularly the language of Shakespeare. Even so, they need to be exposed to his plays, the author, the time period, and all that goes with this writer.
Along with plot, I was still able to teach literary devices--irony, idioms, metaphors and similes, etc., and because the students weren't struggling to understand what the text meant, they were able to pay more attention to the use of literary devices--what they were, and what they meant.
Therefore, I would most definitely recommend this book as an aide to assist students before beginning the real play, or to use with struggling readers who simply need to be exposed to Shakespeare.


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No Fear Shakespeare Graphic Novels is a series based on the translated texts of the plays found in No Fear Shakespeare. The original No Fear series made Shakespeare's plays much easier to read, but these dynamic visual adaptations are impossible to put down. Each of the titles is illustrated in its own unique style, but all are distinctively offbeat, slightly funky, and appealing to teen readers. Each book will feature:

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Vergil's Aeneid, Books I-VI (Latin Edition) (Bks. 1-6) (English and Latin Edition) Review

Vergil's Aeneid, Books I-VI (Latin Edition) (Bks. 1-6) (English and Latin Edition)
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Whether one is studying the Aeneid or one simply wishes to read it for pleasure, Pharr's and Heath's edition is, when it comes to the first six books of Vergil's epic, the _ne plus ultra_ of student texts. The "Purple Vergil" renders the Aeneid both more accessible and easier to appreciate as a work of art.
This is due, in large part, to the text's impeccable format. Each page provides all the necessary vocabulary (especially common words are located in a fold-out list at the back), eliminating the constant drudgery of poring through one's Latin-English dictionary so common to most texts. Pharr and Heath also provide comprehensive notes for the poem--notably, helpful rearrangements of the more convoluted sentences. Additionally, a thorough appendix on Latin grammar and poetry is included (including declensions of those pesky Greek forms).
With this amazing text, Pharr and Heath have given anyone with a couple years of Latin the ability to read and enjoy this masterful work of literature in its original language. One only wonders why their format hasn't been wholly adopted by more authors...

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This is the book that revolutionized Latin textbooks, with its student-friendly format of vocabulary and notes on the same page as the Latin text, and unique pull-out vocabulary of most-often repeated words. Together, these allow for faster reading, unimpeded by the page-turning required to look up vocabulary or consult notes. Pharr's Aeneid is the all-time most popular textbook of Vergil's Aeneid. Grammatical notes are supported by a full grammatical appendix; vocabulary memorization is aided by vocabulary lists, arranged by frequency of occurrence, for drilling. The perfect edtion for both classroom and home study.Special FeaturesGeneral introductionFull Latin text of Books I-VI of Vergil's Aeneid, with selected vocabulary and notes on the same page24 black-and-white illustrations plus map of Aeneas' voyageGrammatical appendixIndex to Grammatical AppendixWord Lists for Vocabulary DrillUpdated, extensive Selective BibliographyPull-out General Word ListAlso available:Vergil's Aeneid: Selections from Books 1, 2, 4, 6, 10, and 12 - ISBN 086516584XPoet & Artist: Imaging the Aeneid - ISBN 0865165858For over 30 years Bolchazy-Carducci Publishers has produced the highest quality Latin and ancient Greek books. From Dr. Seuss books in Latin to Plato's Apology, Bolchazy-Carducci's titles help readers learn about ancient Rome and Greece; the Latin and ancient Greek languages are alive and well with titles like Cicero's De Amicitia and Kaegi's Greek Grammar. We also feature a line of contemporary eastern European and WWII books. Some of the areas we publish in include: Selections From The Aeneid Latin Grammar & Pronunciation Greek Grammar & Pronunciation Texts Supporting Wheelock's Latin Classical author workbooks: Vergil, Ovid, Horace, Catullus, Cicero Vocabulary Cards For AP Selections: Vergil, Ovid, Catullus, Horace Greek Mythology Greek Lexicon Slovak Culture And History

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Plato: Apology (Greek Edition) Review

Plato: Apology (Greek Edition)
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This book was wonderfully organized for those who would like to read ancient Greek texts. We can read Plato's Apology without looking up the Greek dictionary. In the appendices, some Sentence Diagrams,table of the tense of the verbs of the Principal Parts, Word Frequency List, and the Vocabulary List were provided.

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The revised edition of this popular textbook features revised vocabulary and grammatical notes that now appear on the same page as the text, sentence diagrams, principal parts of verbs listed both by Stephanus page and alphabetically, word frequency list for words occurring more than twice, and complete vocabulary.Also available:Meleager: The Poems - ISBN 0865162549Asclepiades of Samos and Leonidas of Tarentum: The Poems - ISBN 0865164568For over 30 years Bolchazy-Carducci Publishers has produced the highest quality Latin and ancient Greek books. From Dr. Seuss books in Latin to Plato's Apology, Bolchazy-Carducci's titles help readers learn about ancient Rome and Greece; the Latin and ancient Greek languages are alive and well with titles like Cicero's De Amicitia and Kaegi's Greek Grammar. We also feature a line of contemporary eastern European and WWII books. Some of the areas we publish in include: Selections From The Aeneid Latin Grammar & Pronunciation Greek Grammar & Pronunciation Texts Supporting Wheelock's Latin Classical author workbooks: Vergil, Ovid, Horace, Catullus, Cicero Vocabulary Cards For AP Selections: Vergil, Ovid, Catullus, Horace Greek Mythology Greek Lexicon Slovak Culture And History

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Vergil's Aeneid (Latin Edition) Review

Vergil's Aeneid (Latin Edition)
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I used this book nearly 20 years ago in a class devoted to studying and translating the Aeneid; looking at the copyright page, I can see that the first copyright on the book was back in 1930. Clyde Pharr produced a far-reaching book, for it to remain in effective, useful life for such a long term. Reprinted now by the Bolchazy-Carducci Press (the press responsible for such fun books as 'Cat in the Hat' and 'Green Eggs and Ham' in Latin), it remains one of the better books for students, classroom and independent study types, to use to learn Latin and study the Aeneid.
Each page consists of anywhere from five to twenty lines of text from Vergil's Aeneid. The rest of the page is devoted to reader notes. These are in two sections -- first, a secondary vocabulary list taken from the lines above; the bottom section are generous notes, which give unique vocabulary, grammar points, special usage notes, history and more. The text is printed with most general vocabulary printed in standard font face (these are words that occur frequently), and can be found on the General Word List in the back. Other words appear in italics, and are found in the list in the middle of the page. At the end of the book, there are lists of words broken into frequency -- the General Word List contains all words occuring 24 times or more in the six books; two other lists have the words which occur 12-23 time and 6-11 times, respectively. The amount of memorisation for vocabulary versus looking up words in the notes can then be regulated by the student or teacher.
There is a grammatical appendix at the end, with 477 separate items of concern. Much of this is review from prior Latin grammars the student is supposed to have learned; a companion Latin grammar is also recommended by Pharr (there are several from which to choose). The appendix follows different pagination, and even has its own index.
The Aeneid is a fascinating text, one of the greatest epics of the ancient world; it takes up the task of the Iliad/Odyssey cycle and 'updates', if you will, the story line into the Roman era. Pharr's book helps the reader to work with it in its original language, easily and methodically, with only a minimum of Latin training (one year is probably sufficient) required for engagement.

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Both paperback and clothbound now contain an 'Annotated Bibliography on Vergil, to Supplement Pharr's Aeneid,' by Alexander McKay, a bibliography of articles and books in English, for use in college and high school Vergil courses, for students and their teachers.Also Available:Vergil's Aeneid: Selections from Books 1, 2, 4, 6, 10, and 12 - ISBN 0865164819Poet & Artist: Imaging the Aeneid - ISBN 0865165858For over 30 years Bolchazy-Carducci Publishers has produced the highest quality Latin and ancient Greek books. From Dr. Seuss books in Latin to Plato's Apology, Bolchazy-Carducci's titles help readers learn about ancient Rome and Greece; the Latin and ancient Greek languages are alive and well with titles like Cicero's De Amicitia and Kaegi's Greek Grammar. We also feature a line of contemporary eastern European and WWII books. Some of the areas we publish in include: Selections From The Aeneid Latin Grammar & Pronunciation Greek Grammar & Pronunciation Texts Supporting Wheelock's Latin Classical author workbooks: Vergil, Ovid, Horace, Catullus, Cicero Vocabulary Cards For AP Selections: Vergil, Ovid, Catullus, Horace Greek Mythology Greek Lexicon Slovak Culture And History

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Plato and the Socratic Dialogue: The Philosophical Use of a Literary Form Review

Plato and the Socratic Dialogue: The Philosophical Use of a Literary Form
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This is one of the best books on Plato that I have read. Kahn's thesis--that Plato's early and middle dialogues present a unified philosophical vision that is gradually revealed from dialogue to dialogue (what Kahn calls the "ingressive method")--is a new twist on the unitarian thesis that the Platonic corpus gives no evidence for the sort of philosophical development that has been spotted by interpreters such as Grote, Campbell, Vlastos, Owen, and many others (probably most others, in fact). But even if one is a developmentalist at heart, one can benefit greatly from reading this book. The approach is both philosophical and scholarly, of use both to the philosopher and to the classicist. Even when it is difficult to agree with Kahn (for example, he holds that the Gorgias is an earlier work than the Protagoras, in spite of what appears to be a more complex moral psychology and a more sensitive treatment of the hedonist thesis in the former), grappling with his arguments can be both a challenge and a thrill. Rarely does disagreement serve to educate so well.
It is disappointing, though fully understandable, that this book does not treat the late dialogues. There are hints here and there that Kahn thinks he could extend his thesis further, but his treatment of the Pheadrus in the last chapter is more promisory than productive.

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This book offers a new interpretation of Plato's early and middle dialogues as the expression of a unified philosophical vision. Whereas the traditional view sees the dialogues as marking successive stages in Plato's philosophical development, we may more legitimately read them as reflecting an artistic plan for the gradual, indirect and partial exposition of Platonic philosophy. The magnificent literary achievement of the dialogues can be fully appreciated only from the viewpoint of a unitarian reading of the philosophical content.

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Myth and Knowing: An Introduction to World Mythology Review

Myth and Knowing: An Introduction to World Mythology
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Though many have attempted such a feat, in Myth & Knowing, Leonard and McClure have finally written the foundational textbook for comparative mythologies, and, in doing so, have also created a remarkable text for exploring the transition from oral tradition to written text. As the title suggests, Myth & Knowing moves beyond a simple reiteration of the stories by grouping them into conceptual chapters (Creation Myths, The Female Divine, The Male Divine, Trickster Myths, and Sacred Places)which not only invites direct comparisons but creates archetypal structures that become the critical basis for analyzing modern mythologies and even modern epistomologies. I have used this text with great success in introductory mythology, religion, and literature classes.

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Myth and Knowing is a rich resource of myths and mythology through theages, in which scholarly and literary materials combine to provide a seamlessportrait of this multicultural topic. Balanced and nuanced discussionsexplore the ways in which myths have portrayed both men and women. Inaddition, art and maps contextualize selected myths, providing insights intothe cultures and religious traditions from which they originated.


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