Showing posts with label germany. Show all posts
Showing posts with label germany. Show all posts

Encyclopedia of Literary Translation into English Review

Encyclopedia of Literary Translation into English
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Without having read through this unfortunately very expensive 2-vol work, I would judge -- based on samplings -- that it provides invaluable information. To give one example, the article dealing with translations of Goethe's works into English would be extremely useful to a teacher of comparative literature who is not familiar with the various translations of Goethe, in particular of his Faust, a work which, as Luke (a translator) points out, must preserve the end rhyme where it is present in the original. This book should be in every scholarly library.

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Candide Review

Candide
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Ever since philosophers began thinking about the meaning of life, a favorite question has been "Why do bad things happen to good people?". In Voltaire's day, this issue was primarily pursued either from the perspective of faith (everything that happens is God's will and must be for Divine purpose) or of reason (What do these events mean to you, as you interpret them subjectively?). Infuriated by the reaction by some members of the church to a horrible loss of life from an earthquake in Lisbon, Voltaire wrote this hard-biting satire of the human condition to explore these questions.
Before reading further, let me share a word of caution. This book is filled with human atrocities of the most gruesome sort. Anything that you can imagine could occur in war, an Inquisition, or during piracy happens in this book. If you find such matters distressing (as many will, and more should), this book will be unpleasant reading. You should find another book to read.
The book begins as Candide is raised in the household of a minor noble family in Westphalia, where he is educated by Dr. Pangloss, a student of metaphysical questions. Pangloss believes that this is the best of all possible worlds and deeply ingrains that view into his pupil. Candide is buoyed by that thought as he encounters many setbacks in the course of the book as he travels through many parts of Europe, Turkey, and South America.
All is well for Candide until he falls in love with the Baron's daughter and is caught kissing her hand by the Baron. The Baron immediately kicks Candide out of the castle (literally on the backside), and Candide's wanderings begin. Think of this as being like expulsion from the Garden of Eden for Adam. Soon the penniless Candide finds himself in the Bulgarian army, and receiving lots of beatings while he learns to drill.
The story grows more far-fetched with each subsequent incident. To the casual reader, this exaggeration can seem unnecessary and annoying. It will remind you of the most extreme parts of Swift in Gulliver's Travels and Rabelais in Gargantua and Pantagruel. But subtly, Voltaire is using the exaggeration to lure the reader into making complacent judgments about complacency itself that Voltaire wants to challenge. The result is a deliciously ironical work that undermines complacency at a more fundamental level than I have seen done elsewhere. Basically, Candide challenges any view you have about complacency that is defined in terms of the world-view of those who are complacent.
Significant changes of circumstances (good and ill) occur to all of the members of the Baron's household over the course of the story. Throughout, there is much comparing of who has had the worst luck, with much feeling sorry for oneself.
That is the surface story. Voltaire is, however, a master of misdirection. Beneath the surface, Voltaire has another purpose for the book. He also wants to expose the reader to questioning the many bad habits that people have that make matters worse for everyone. The major themes of these undercurrents are (1) competing rather than to cooperating, (2) employing inhumane means to accomplish worldly (and many spiritual) ends, (3) following expected rules of behavior to show one's superiority over others that harm and degrade others, (4) focusing on money and power rather than creating rich human relationships, (5) hypocritical behavior, and (6) pursuing ends that society approves of rather than ends that please oneself.
By the end of the story, the focus shifts again to a totally different question: How can humans achieve happiness? Then, you have to reassess what you thought about the book and what was going on in Voltaire's story. Many readers will choose to reread the book to better capture Voltaire's perspective on that final question, having been surprised by it.
Candide is one of my favorite books because it treats important philosophical questions in such an unusual way. Such unaccustomed matching of treatment and subject matters leaves an indelible impression that normal philosophical arguments can never match. Voltaire also has an amazing imagination. Few could concoct such a story (even by using illegal substances to stimulate the subconscious mind). I constantly find myself wondering what he will come up with next. The story is so absurd that it penetrates the consciousness at a very fundamental level, almost like doing improvisation. In so doing, Voltaire taps into that feeling of "what else can happen?" that overcomes us when we are at our most pessimistic. So, gradually you will find yourself identifying with the story -- even though nothing like this could ever happen to you. Like a good horror story, you are also relieved that you can read about others' troubles and can put your own into perspective. This last point is the fundamental humanity of the story. You see what a wonderful thing a kind word, a meal, or a helping hand can be. That will probably inspire you to offer those empathic actions more often.
After you have finished Candide, I suggest that you ask yourself where complacency about your life and circumstances is costing you and those you care about the potential for more health, happiness, peace, and prosperity. Then take Voltaire's solution, and look around you for those who enjoy the most of those four wonderful attributes. What do those people think and do differently from you?


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Goethe's Faust Review

Goethe's Faust
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I have little to say about the play itself. Many consider Goethe the greatest German writer and Faust his masterwork. 300 years old and we are still reading and learning from it. It is an excellent read.
I am inspired to write this review because of Walter Kaufmann's excellent and (to read reviews) misunderstood translation. Kauffman's intentions are stated clearly in his introduction. Meter and rhyme are preserved as much as possible, and all the text that is translated (all of part one and sections of part two) is done exactingly without one line added or removed. Kaufmann's goal was to 1> re-create the rhythmic drive of Goethe's wit, 2> create a *readable* translation not just for the scholar but for the reader as well, 3> provide an exacting translation that avoids the embellishments of prior translations.
It should go without saying that any translation that doubles the length of a speech or replaces subtle humor with flowery speech is a poor one.
Kaufmann, unlike many other translators, has both the knowledge of German and an appreciation for cultural context to reach all of those goals. While this translation might not be the best for scholars (since much of Part Two is trimmed), it is the best translation for *readers*.

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The best translation of Faust available, this volume provides the original German text and its English counterpart on facing pages. Walter Kaufmann's translation conveys the poetic beauty and rhythm as well as the complex depth of Goethe's language. Includes Part One and selections from Part Two.

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Western Wind: An Introduction to Poetry Review

Western Wind:  An Introduction to Poetry
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Almost all contemporary "workshop" style poetry commits the simplest and most fatal of mistakes, such as using vague imagery, dwelling in abstractions, or lapsing into sentimentality. These flaws and more are addressed in this lucidly written book, which contains sections on the concrete image, sentiment, and intelligence and their places in poetry. Its only drawback is that its anthology section is too brief. Prospective poets would do well to begin here, and to supplement their reading with Fussell's "Poetic Meter and Poetic Form," Harvey Gross's "Sound and Form in Modern Poetry," and Perkins's "History of Modern Poetry," among others.

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WESTERN WIND is an introduction to the elements of craft that make poetry sing, a superior anthology of classic and contemporary poetry, and a guide for students to poetics, writing about poetry, and critical theory. In this text, two well respected poets bring their love of the craft of poetry into a book that teaches as well as inspires. The text also includes exercises, chapter summaries, games, diagrams, illustrations, and 4-color reproductions of great works of art.

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The Book Thief Review

The Book Thief
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This is a story told by Death. An interesting point of view perhaps, but as it is set in Germany during World War II, perhaps it is entirely appropriate. It is also a story of a young girl, who in spite of having a life that no one would wish on anyone, still manages to have glimpses of pleasure through many small things, including the few books that she manages to acquire (or shall we say, steal).
It is interesting to see that it appears to be targeted to young adult readers - please don't be put off by this - it is very much an adult story about children who are doing their best to live a normal life in times of unspeakable horror. It would also be a good way to introduce more mature readers to the history of the times. But be warned, it is quite confrontational at times, and considering who the narrator is, very sad.
To add extra punch to the story, it appears that it is the true story of the author's grandmother. When you consider this, you realise how truly resilient we humans are, and how occasionally, and with a bit of luck, we can hold off death for a time.

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First German Reader: A Beginner's Dual-Language Book (Dual-Language Books) Review

First German Reader: A Beginner's Dual-Language Book (Dual-Language Books)
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The introduction claims that "First German Reader is truly a beginners' book. It may be started after two or three weeks of experience with an introductory book to German." I couldn't possibly disagree more. You really should have a few years of classroom experience under your belt before attempting it. The reading passages are highly academic in nature, with a very strong focus on philosophy and poetry. They are often very dense and difficult to understand, even reading the English translation. Furthermore, to fully appreciate many of the passages, a great deal of context is often required. While the notes at the end of the book do help somewhat, they are woefully inadequate in many cases. Last but not least, I personally found most of the content to be pretty dull. These factors can easily combine to make for a very frustrating, and not necessarily productive, reading experience for a beginner. A few short sample passages: "Large industries have already introduced a system of profit-sharing with their employees. But what is much more significant: in all industrial concerns the workers enjoy the legal right of having a voice in matters that concern them. They get a third of the seats on the boards of directors of joint stock companies (one half of the seats in the mining and steel industries)."
"Act in such a way that the maxim of your will may at all times also have validity as the principle of a universal law."The texts are also outdated. Besides the lack of any material from the past forty years and the use of the old spelling throughout, I suppose this fact mostly only matters for the "uber Deutschland" passages, which are intended to paint a broad picture of modern Germany. One of these essays states that "West Berlin is a part of the Federal Republic, while East Berlin belongs to the 'German Democratic Republic.'" Hmm. This edition was published in 2007, but it's clear that none of the content has changed since it was originally published in 1964.
On the plus side, the translations are generally very good for the purpose they serve. They are literal enough that it is farily easy to compare the English and German versions, but (mostly) natural enough to be comprehensible by themselves. There are also a fair number of endnotes that explain references to particular people and places, as well as unusual word usage and grammar. The passages are of just the right length that the reader can maintain a sense of accomplishment and not get too bored, even reading very slowly and carefully.
Despite the blatantly false advertising of the title, if you have a fair amount of experience with the language and a strong interest in German philosophy and poetry, you might find this book to be rewarding. Otherwise, save yourself the frustration and steer clear.

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Specially chosen for their power to evoke German life and culture, these short, simple readings include poems, stories, essays, and anecdotes. Featured authors include Goethe, Hesse, Heine, Schiller, and Hölderlin, in selections offering a variety of subject matter and gradual advancement in language skills.

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