Showing posts with label east meets west. Show all posts
Showing posts with label east meets west. Show all posts

Selected Poems (Tagore, Rabindranath) (Penguin Classics) Review

Selected Poems (Tagore, Rabindranath) (Penguin Classics)
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Rabindranath Tagore (1861-1941), the outstanding Bengali poet, literateur and humanist (and Asia's first Nobel Laureate in 1913), is scarcely read outside his native Bengal because only a small fraction of his works have been translated from Bengali into English or indeed into other languages. English translations were those done by Tagore himself and by a few Bengali literary scholars well-versed in English. The arrival of Dr William Radice on the scene of Bengali scholarship in the early eighties brought in a current of fresh air. Here was an Englishman admiring Tagore and translating him! In this book, Radice applies his deep perception of Tagore in putting together a bouquet, as it were, redolent with the exotic fragrance of Tagoreana. No single collection can ever do justice to Tagore, and this one doesn't either. However, it does give the English-knowing reader a vivid glimpse of Tagore's amazing creativity. Radice has done a good job of choosing competent translators who have applied their hearts to the task -- Tagore is so subtle that it is enormously difficult to translate him! This book is strongly recommended for readers of all nationalities.

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The poems of Rabindranath Tagore are among the most haunting and tender in Indian and world literature, expressing a profound and passionate human yearning. His ceaselessly inventive works deal with such subjects as the interplay between God and mortals, the eternal and the transient, and the paradox of an endlessly changing universe that is in tune with unchanging harmonies. Poems such as "Earth" and "In the Eyes of a Peacock" present a picture of natural processes unaffected by human concerns, while others, as in "Recovery—14," convey the poet's bewilderment about his place in the world. And exuberant works such as "New Rain" and "Grandfather's Holiday" describe Tagore's sheer joy at the glories of nature or simply in watching a grandchild play.

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Candide Review

Candide
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Ever since philosophers began thinking about the meaning of life, a favorite question has been "Why do bad things happen to good people?". In Voltaire's day, this issue was primarily pursued either from the perspective of faith (everything that happens is God's will and must be for Divine purpose) or of reason (What do these events mean to you, as you interpret them subjectively?). Infuriated by the reaction by some members of the church to a horrible loss of life from an earthquake in Lisbon, Voltaire wrote this hard-biting satire of the human condition to explore these questions.
Before reading further, let me share a word of caution. This book is filled with human atrocities of the most gruesome sort. Anything that you can imagine could occur in war, an Inquisition, or during piracy happens in this book. If you find such matters distressing (as many will, and more should), this book will be unpleasant reading. You should find another book to read.
The book begins as Candide is raised in the household of a minor noble family in Westphalia, where he is educated by Dr. Pangloss, a student of metaphysical questions. Pangloss believes that this is the best of all possible worlds and deeply ingrains that view into his pupil. Candide is buoyed by that thought as he encounters many setbacks in the course of the book as he travels through many parts of Europe, Turkey, and South America.
All is well for Candide until he falls in love with the Baron's daughter and is caught kissing her hand by the Baron. The Baron immediately kicks Candide out of the castle (literally on the backside), and Candide's wanderings begin. Think of this as being like expulsion from the Garden of Eden for Adam. Soon the penniless Candide finds himself in the Bulgarian army, and receiving lots of beatings while he learns to drill.
The story grows more far-fetched with each subsequent incident. To the casual reader, this exaggeration can seem unnecessary and annoying. It will remind you of the most extreme parts of Swift in Gulliver's Travels and Rabelais in Gargantua and Pantagruel. But subtly, Voltaire is using the exaggeration to lure the reader into making complacent judgments about complacency itself that Voltaire wants to challenge. The result is a deliciously ironical work that undermines complacency at a more fundamental level than I have seen done elsewhere. Basically, Candide challenges any view you have about complacency that is defined in terms of the world-view of those who are complacent.
Significant changes of circumstances (good and ill) occur to all of the members of the Baron's household over the course of the story. Throughout, there is much comparing of who has had the worst luck, with much feeling sorry for oneself.
That is the surface story. Voltaire is, however, a master of misdirection. Beneath the surface, Voltaire has another purpose for the book. He also wants to expose the reader to questioning the many bad habits that people have that make matters worse for everyone. The major themes of these undercurrents are (1) competing rather than to cooperating, (2) employing inhumane means to accomplish worldly (and many spiritual) ends, (3) following expected rules of behavior to show one's superiority over others that harm and degrade others, (4) focusing on money and power rather than creating rich human relationships, (5) hypocritical behavior, and (6) pursuing ends that society approves of rather than ends that please oneself.
By the end of the story, the focus shifts again to a totally different question: How can humans achieve happiness? Then, you have to reassess what you thought about the book and what was going on in Voltaire's story. Many readers will choose to reread the book to better capture Voltaire's perspective on that final question, having been surprised by it.
Candide is one of my favorite books because it treats important philosophical questions in such an unusual way. Such unaccustomed matching of treatment and subject matters leaves an indelible impression that normal philosophical arguments can never match. Voltaire also has an amazing imagination. Few could concoct such a story (even by using illegal substances to stimulate the subconscious mind). I constantly find myself wondering what he will come up with next. The story is so absurd that it penetrates the consciousness at a very fundamental level, almost like doing improvisation. In so doing, Voltaire taps into that feeling of "what else can happen?" that overcomes us when we are at our most pessimistic. So, gradually you will find yourself identifying with the story -- even though nothing like this could ever happen to you. Like a good horror story, you are also relieved that you can read about others' troubles and can put your own into perspective. This last point is the fundamental humanity of the story. You see what a wonderful thing a kind word, a meal, or a helping hand can be. That will probably inspire you to offer those empathic actions more often.
After you have finished Candide, I suggest that you ask yourself where complacency about your life and circumstances is costing you and those you care about the potential for more health, happiness, peace, and prosperity. Then take Voltaire's solution, and look around you for those who enjoy the most of those four wonderful attributes. What do those people think and do differently from you?


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Myth and Knowing: An Introduction to World Mythology Review

Myth and Knowing: An Introduction to World Mythology
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Though many have attempted such a feat, in Myth & Knowing, Leonard and McClure have finally written the foundational textbook for comparative mythologies, and, in doing so, have also created a remarkable text for exploring the transition from oral tradition to written text. As the title suggests, Myth & Knowing moves beyond a simple reiteration of the stories by grouping them into conceptual chapters (Creation Myths, The Female Divine, The Male Divine, Trickster Myths, and Sacred Places)which not only invites direct comparisons but creates archetypal structures that become the critical basis for analyzing modern mythologies and even modern epistomologies. I have used this text with great success in introductory mythology, religion, and literature classes.

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Myth and Knowing is a rich resource of myths and mythology through theages, in which scholarly and literary materials combine to provide a seamlessportrait of this multicultural topic. Balanced and nuanced discussionsexplore the ways in which myths have portrayed both men and women. Inaddition, art and maps contextualize selected myths, providing insights intothe cultures and religious traditions from which they originated.


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