Showing posts with label wake up calls. Show all posts
Showing posts with label wake up calls. Show all posts

Matigari (African Writers Library) Review

Matigari (African Writers Library)
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Matigari by Ngugi wa Thiong'o is a fascinating story. Since from the very beginning, Matigari captures readers with foreshadowing, uses of similes, and many techniques that European writers use. However, the structure is different from a novel written in the European tradition. The language is kept rather simple, as someone would speak when telling a story. There are many repetitive words and phrases in Matigari and readers should not underestimate the significant value of every one of them. In addition, the repetition is one of many things that Ngugi used to make readers read the book like a hidden charisma of the book. In my opinion, one of many quotes that give more insight to the story is the following: There is no night so long that it does not end with dawn." This metaphorical expression has a very significant meaning in the context of the story. It expresses the endless sufferings of people in that land. Most importantly, it emphasizes their hope for a better tomorrow. Thins have not changed after the settlers left. The Imperialism system sets a worldwide system in which the sorrow of the many is the joy of the few. The wealth of an entire nation is in the hands of five percent of the population, while the other ninety five percent are dying of starvation. "I have girded myself with the belt of peace." That is another important phrase. It illustrates the non-violent attitude of the hero. Matigari was a nationalist, a peaceful messenger who wished for harmony in his community. Another phrase that provides the most insight into the text is house and home. It is repeated countless times throughout the story, sometimes as many as eight times on a single page. It is like a mantra-home. The home is the center of our life. It is where families are centered. We go home to our loved ones every night. Muriuki's mother was killed in a fire set by her proprietor when she could not afford to pay for and refused to leave her home. Guthera turned to prostitution after she and her sibling were orphaned and it was the only means by which she could provide for them. John Boy is sent away to school by his family and instead of coming back to help them to improve their lives he becomes just like the wealthy settlers and his main goal is making money at the expense of the natives. Matigari's home appears to represent unity, love, and power. Home has connotations that go even further than that of immediate family and a place to live. Home is their country and home is the life they knew before colonization. Decolorizing Mind novel, that Ngugi used a biblical element to grab readers such as myself into completing the novel Matigari. I could not put down the book, Matigari's attitude and outward demeanor could all be summed up in one outline: his grace, his compassion, his love, his patience, his peacefulness, gentleness are all the qualities of Christ. I especially loved how he captured Matigari's voice, "Something in Matigari's voice made them listen to him attentively," when Christ spoke the people all listened o him diligently. When Matigari said " a prudent person keeps their mouth shut, in the Bible James 1:19, says everyone should be quick to listen, slow to speak and slow to anger...." In addition, when Matigari was in the jail cell, he shared food with other people in the jail. It is parallel to Jesus when he shares his bread to twelve other people. In literally, the food Matigari had and shared could be the last supper. Matigari is not only the bitter experience of post independence African society, but it is a picture of timeless suffering and struggle for freedom and independence. In a dictatorship, questions of truth and justice are paramount because these two are the first to disappear in such an environment. Matigari's patriotism for his country and his people haunted his soul. His search for truth and justice eventually let him to the forest and mountains. The myths of Matigari have wonder people. Who is this man People even compared him with the resurrection of Jesus Christ. Who ever that man is or whatever people think about him or his mission, I think the Matigari as an inspiration to the search for truth and justice.

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Who is Matigari? Is he young or old? Dead or living... or even Jesus Christ? These are the questions asked by the people when a man who has survived a war for independence emerges from the mountains. Matigari is in search of his family, the rebuilding of his home and the start of a new and peaceful future. But his search becomes a quest for truth and justice as he finds the people still dispossessed and the land he loves ruled by corruption, fear, and misery. Rumor springs up that a man with superhuman powers has risen to renew the freedom struggle. The novel races towards its climax as Matigari realizes that words alone cannot defeat the enemy. He vows to use force of arms to achieve his true liberation. Lyrical and hilarious in turn, Matigari is a memorable satire on the betrayal of human ideals and on the bitter experience of post-independence African society.

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A Man of the People Review

A Man of the People
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I loved "Things Fall Apart", and it was what got me to fall in love with African literature in the first place-and download a list of Africa's 100 greatest works of literature in order to try to feed my passion! (I'm not sure how far into it I am now!) It is a masterpiece and so moving.
However, I have to admit there is something so perfect about "A Man of the People", so witty, so well-written, so perfect, so flawless, that it might be better than "Things Fall Apart". Since this book takes place during the post-colonial period, it has a completely different tone than Things Fall Apart. For one thing, it uses a smattering of pidgin (a Nigerian combination of indigenous words, English and slang), which is hard to understand for outsiders to the culture but fascinating-only a little is used and doesn't at all detract from understanding the novel if you're not a native speaker, and it adds a lot of flavor.
Achebe's masterful writing and talent at crafting stories-saying more with subtlety than many have said with bombast- is what makes this book worth reading if you're not interested in Africa in particular. If you are interested in Africa, this is an important exploration of the post-colonial situation. The narrator, part of the educated elite, becomes enamored of the so-called "Man of the People", a man who embodies a Nigerian postcolonial political leader of a certain kind-always ready to take a bribe, charming, populist, and utterly corrupt.
At first the narrator is intrigued by the Man of the People, and admires his style. The realization of what men like this are doing to his country forces the narrator to realize what is at stake when the nation allows itself to accept thievery as a cultural value. Although he is initially immature and moved to vengeance because the "Man of the People" beds his girl, he rapidly matures and comes to identify with his idealist friends, a couple who have not abandoned their optimism and compassion for the people.
A Must-Read, and one of my favorite books of all time.


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By the renowned author of Things Fall Apart, this novel foreshadows the Nigerian coups of 1966 and shows the color and vivacity as well as the violence and corruption of a society making its own way between the two worlds.

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The Lion and the Jewel (Three Crowns Book) Review

The Lion and the Jewel (Three Crowns Book)
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If you've ever found the world around you changing and weren't quite sure where you fit into the scheme of things, this play is one you'll want to read. Soyinka develops several themes throughout the work- some of the most relevant themes include the struggle for power between men and women and tradition versus modernization. The play takes place in a small African village that has been relatively untouched by Western civilization. The plot centers around a beautiful young girl named Sidi and her experiences. The greatest conflict is presented in the two men who have fallen in love with her- Lakunle, the modern schoolteacher who wants to marry for love and honor, and Baroka, the village bale (chief), who wants Sidi for himself because she is beautiful and he traditionally has a right to any woman he wants. Sidi, who is stubborn and haughty, is caught not only between these two men, but between the ideals they represent. Lakunle's ideas seem to make sense to her but the tradition by which the people of the town govern their daily lives has been all she has ever known. Soyinka uses humor and biting sarcasm to set his scene and sharply characterize Sidi, Lakunle, Baroka, and the Bale's oldest wife, Sadiku. Who and what will Sidi choose? And what does that decision say about our human nature? Soyinka lets you make your own judgement. Sidi:"Come to my wedding if you will. If not...[She shrugs her shoulders. Kneels down at Sadiku's feet.] Mother of brides, your blessing..."

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This is one of the best-known plays by Africa's major dramatist, Wole Soyinka. It is set in the Yoruba village of Ilunjinle. The main characters are Sidi (the Jewel), 'a true village belle' and Baroka (the Lion), the crafty and powerful Bale of the village, Lakunle, the young teacher, influenced by western ways, and Sadiku, the eldest of Baroka's wives. How the Lion hunts the Jewel is the theme of this ribald comedy.

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Plato: Apology (Greek Edition) Review

Plato: Apology (Greek Edition)
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This book was wonderfully organized for those who would like to read ancient Greek texts. We can read Plato's Apology without looking up the Greek dictionary. In the appendices, some Sentence Diagrams,table of the tense of the verbs of the Principal Parts, Word Frequency List, and the Vocabulary List were provided.

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The revised edition of this popular textbook features revised vocabulary and grammatical notes that now appear on the same page as the text, sentence diagrams, principal parts of verbs listed both by Stephanus page and alphabetically, word frequency list for words occurring more than twice, and complete vocabulary.Also available:Meleager: The Poems - ISBN 0865162549Asclepiades of Samos and Leonidas of Tarentum: The Poems - ISBN 0865164568For over 30 years Bolchazy-Carducci Publishers has produced the highest quality Latin and ancient Greek books. From Dr. Seuss books in Latin to Plato's Apology, Bolchazy-Carducci's titles help readers learn about ancient Rome and Greece; the Latin and ancient Greek languages are alive and well with titles like Cicero's De Amicitia and Kaegi's Greek Grammar. We also feature a line of contemporary eastern European and WWII books. Some of the areas we publish in include: Selections From The Aeneid Latin Grammar & Pronunciation Greek Grammar & Pronunciation Texts Supporting Wheelock's Latin Classical author workbooks: Vergil, Ovid, Horace, Catullus, Cicero Vocabulary Cards For AP Selections: Vergil, Ovid, Catullus, Horace Greek Mythology Greek Lexicon Slovak Culture And History

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Western Wind: An Introduction to Poetry Review

Western Wind:  An Introduction to Poetry
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Almost all contemporary "workshop" style poetry commits the simplest and most fatal of mistakes, such as using vague imagery, dwelling in abstractions, or lapsing into sentimentality. These flaws and more are addressed in this lucidly written book, which contains sections on the concrete image, sentiment, and intelligence and their places in poetry. Its only drawback is that its anthology section is too brief. Prospective poets would do well to begin here, and to supplement their reading with Fussell's "Poetic Meter and Poetic Form," Harvey Gross's "Sound and Form in Modern Poetry," and Perkins's "History of Modern Poetry," among others.

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WESTERN WIND is an introduction to the elements of craft that make poetry sing, a superior anthology of classic and contemporary poetry, and a guide for students to poetics, writing about poetry, and critical theory. In this text, two well respected poets bring their love of the craft of poetry into a book that teaches as well as inspires. The text also includes exercises, chapter summaries, games, diagrams, illustrations, and 4-color reproductions of great works of art.

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Paradise Lost (Penguin Classics) Review

Paradise Lost (Penguin Classics)
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Milton's great epic poem was written "to justify the ways of God to men", thus telling the story of Lucifer's expulsion from Heaven and Adam's subsequent banishment from Eden. The classic representations of idyllic Eden, fiery Hell, and glorious Heaven are as rich now as when they were first created in 1667.
Paradise Lost is a very complicated, yet rewarding, Epic poem. It is by far the best of its kind in the English language, and where it lacks in original conventions, it more than makes up for it in its pure power of poetry. For those readers of translations who are unable to enjoy Homer's Greek, Virgil's Latin or Dante's Italian, Paradise Lost can offer them a unique chance to enjoy an epic poem in its original vernacular.
However, you must bear in mind that Paradise Lost is one of the most difficult pieces of poetry to read, and is by no means as simple as reading a translation of Homer or Virgil. The language is lexically dense, with complex grammar structures at times. These hurdles will be found considerably easier for experienced readers of Shakespeare, and those who are already aware of common traits of epic poetry.
Milton's use of language is majestic, boasting an impressive metre. The poem is lavished with many famous quotes that have become ingrained into everyday English, with such examples as "Pandemonium" and "All hell broke loose". Paradise Lost is, without a doubt, a must read for any intellectual English reader.
Like all epic poetry Milton's piece of art is highly indebted to Homer's conventions, with typical imitations of the Iliad's list of warriors and the Odyssey's garden of Alcinous. But Milton's debt to the Classics manifests itself as a representation of learned study, (with links to such writers as Aeschylus, Sophocles, Plato, Shakespeare and Spenser), therefore it does not so much as pilfer from great literature, as it instead endeavours to become a part of it.
Paradise Lost offers the epic reader a new form of subject, not just the usual heroes and large battles, but a theme which captivates the reader - the devils fall and man's respectively. The rebel Angels' descent from heaven to hell and Adam's from Eden to a desolate "outside" world, captivate the reader with an intriguing theme: the loss of innocence and the fall into experience. Why must Man sin? What is his relationship to Satan's loss of grace? And where does God's image of himself measure with his own maker? Milton's poem may lack the great Achilles and the gleaming towers of Troy, but it does offer much intellectual food for thought.
This Penguin edition is a rare find of value for money, it is not particlularly inexpensive, but come on ... please bear in mind the tiny price tag on this book - for less than half the price of a DVD you can own the English language's greatest poetic feat!
It is the Miltonic Satan that really comes to the forefront of this poem. The cunning fallen angel, who decides that "All good to me is lost; Evil, be thou my Good" (IV.109-10), is as appealing to the reader as Marlowe's "Nun-poisoning" Barabas the Jew. It is with some guilt that this present commentator must own to rooting for this most infamous baddy throughout the poem. With a display of wit almost as sharp as Ovid or Nonnos, Milton indisputably gives his best lines to God's antagonist. This Devil is not just a superficial evil being, but instead a complex character; one that feels remorse for his fall, love for his close friends, and a harrowing jealousy of Man. What we are given by Milton's villain is not just a rewarding psychological study of Christianity's Devil, but also a commentary upon our own ignoble actions.

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In the PENGUIN CLASSICS series, a new edition of the epic poem on the subject of the foundation of hell and the fall of man, written by the seventeenth century poet, John Milton. It contains a critical introduction and notes on unfamiliar words and any biblical, classical or historical allusions.

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