Showing posts with label intermediate. Show all posts
Showing posts with label intermediate. Show all posts

An Integrated Approach to Intermediate Japanese Review

An Integrated Approach to Intermediate Japanese
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Though it doesn't have the same "genki" title as the other 2 standard Japanese textbooks published by the Japanese Times, this is essentially the 3rd book in the series, following a similar layout and integration. It has 15 chapters. At the beginning of each is a paragraph or two about something in Japanese culture. Each chapter has 3 or so conversations: a polite conversation, a medium-polite conversation, a casual, and then reading material. After that are the vocabulary lists, grammar points and exercises, and after that a similar reading material.
Though the conversations and reading material don't have translations, after reading them 2 or 3 times they should be understood. There is very little furigana over the kanji, which is sometimes frustrating when it's not a word that I plan on ever using or hearing. The reading text is sometimes dull and difficult to understand, so if you're not a serious Japanese student, this book may be a little dry. Some of the grammar is presented in JLPT level 2, but don't expect to be at that level upon finishing this book. Unfortunately there isn't a 4th book in this series yet, but after this, your Japanese should command compliments like "umai" instead of "jozu."

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Everyday Editing Review

Everyday Editing
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Jeff Anderson's book offers lots of practical ideas for tweaking your writer's workshop and making your students better writers. He devotes chapters to various skills and how to teach them (serial commas, appositives, participles, etc.). One of his basic tenets is selecting good examples of sentences from your own readings of YA books, then using them as teaching tools by asking kids what they notice (it might be how appositives are punctuated, or how the colon introduces a list). The sentences interest the kids because they are taken from high interest books, and instead of learning from BAD sentences that are riddled with mistakes for correction, students learn from models that are free of mistakes (novel thought -- "mentor" sentences instead of "mental" ones).
You can find plenty of sentences to use in your own readings, but if you don't have time, Anderson provides examples for you in this book. He also devises sentence combining activities by "deconstructing" good mentor sentences and asking students to put them together again (where's Humpty Dumpty when you need him?). Again, great idea. Studies have proven that sentence combining is an effective teaching tool.
I just used Anderson's idea for creating an Appositive Book with separate flaps for the subject, the appositive, and the verb parts of the sentences and my students loved it. By raising different flaps in the partitioned book, they were able to create some amusing (OK, silly) sentences using appositives. It's stuff like this that makes stuff like grammar (the Teflon of our teaching chores) stick!
Recommendation: Buy. Then use. Frequently.

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Editing is often seen as one item on a list of steps in the writing process—usually put somewhere near the end, and often completely crowded out of writer's workshop.Too many times daily editing lessons happen in a vacuum, with no relationship to what students are writing.

In Everyday Editing, Jeff Anderson asks teachers to reflect on what sort of message this approach sends to students.Does it tell them that editing and revision are meaningful parts of the writing process, or just a hunt for errors with a 50/50 chance of getting it right—comma or no comma?

Instead of rehearsing errors and drilling students on what's wrong with a sentence, Jeffinvites students to look carefully at their writing along with mentor texts, and to think about how punctuation, grammar, and style can be best used to hone and communicate meaning.

Written in Jeff's characteristically witty style, this refreshing and practical guide offers an overview of his approach to editing within the writing workshop as well as ten detailed sets of lessons covering everything from apostrophes to serial commas. These lessons can be used throughout the year to replace Daily Oral Language or error-based editing strategies with a more effective method for improving student writing.


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Head First SQL: Your Brain on SQL -- A Learner's Guide Review

Head First SQL: Your Brain on SQL -- A Learner's Guide
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Before I talk about Head First SQL, let me tell you about other database books I have used in the classroom. I teach an enterprise databases sequence (DBs I and II) at a tribal college in Montana. On the course evaluations for this sequence, students have a common complaint: "Liked the class. Hated the book.", "The book was painful to read.", "Please get a different book!"
Each year my colleagues and I are on the watch for a better, more engaging database book. We have tried three books over the past five years, but the difference between those books is like the difference between shades of grey. In the classroom, most of my time is spent mediating the daunting abstractness of those books or breaking down huge lumps of difficult technical material written in plodding and pedantic prose. This year a spot of color showed up: Head First SQL!

I discovered Head First SQL too late to use it as the primary text for my Fall quarter DBs class, but I liked it so much, I added it as an optional textbook for the quarter and told my students it would be the main textbook for the Winter quarter. I did so because the energy of the class was waning rapidly, and the book I had originally chosen was not helping. I needed to add some excitement to homework and lectures. Within two days of using Head First SQL, the classroom became a far more engaging environment.

I compiled this list for anyone interested in learning databases and SQL, especially anyone who teaches it.

Eleven Things I like about Head First SQL:

1. The book starts where my students start. The first questions my students have are questions of relevance: Why do I want to know this? What have I done before that's like this? What will this material add to my career and my life? Head First SQL starts by ushering the student through those questions: What is a database? Who cares about databases? What will a database do for me?

2. My students are able to read SQL, think SQL, and write SQL after the first chapter. Head First SQL starts students on the command-line, the same command-line professional database administrators use during 80-95% of their workday. My students start out with good command-line habits like using a DESCRIBE statement to view database structure and columns before writing a SELECT statement that references those columns.

3. The book invites my students to make mistakes and anticipates the most common mistakes I see students make. On quizzes, students who've dug into the book don't make those mistakes again.

4. The book's sequence of topics fits the way I teach and the way my students learn: queries come before design and theory. Head First SQL does not set out to be a comprehensive database design book, but it does an excellent job of immersing the learner in the critical thinking that goes into database design and table design strategy. I applaud Lynn Beighley and the Head First Team. They have laid an excellent foundation for the learner to smoothly transition into abstract database design concepts such as normalization, primary and foreign keys, entity-relationship diagrams (ERDs), and E.F. Codd's 12 principles of relational design.
5. Students don't read the book. They work the book. They play the book. They do the book.

6. Like Socrates, Head First SQL pushes my class and I to ask deeper questions about data, information, table design, normalization. Three different times during fall quarter, we had substantive arguments about which data types to use for certain columns. To hear my students using critical thinking and applying it to table design strategy is rewarding.

7. Like a guide, an outfitter, a trusted companion, HF SQL walks beside the student. The books I have used before talk down to students, talk over their heads, or just plain pontificate.

8. Theater in a database classroom? Yes. My students and I act out things like "Confessions of a NULL" -- fun, mysterious, memorable -- a great way to turn an abstract concept into a concrete and palpable one.

9. At conferences, committee meetings, training seminars, my colleagues and I talk about student engagement and the new "three Rs": rigor, relationships, and relevance. Using Head First SQL in my classroom changed my class noticeably, and I attribute that change to Head First's focus on those three Rs. My students started showing up early for class, spent more time in the lab outside of class, and performed far better on quizzes.
10. My quizzes and tests consist of sample tables and data. The open-ended questions on those tests ask students to write SQL to solve problems--a daunting task but the best way to assess whether students really "get" the concepts. In the past, students scores have ranged from 10% to 87%. A score of 92% was rare. A score of 95% almost unattainable. With Head First SQL, that range increased to between 70% and 98%. If that's not proof of Head First SQL's effectiveness, I don't know what is.

11. You will laugh your [body part here] off! And be warned: no matter what body part you substitute into the brackets, you will laugh several other body parts off as well.
I highly recommend this book to anyone teaching or learning SQL, relational database design, or MySQL.


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Is your data dragging you down? Are your tables all tangled up? Well we've got the tools to teach you just how to wrangle your databases into submission. Using the latest research in neurobiology, cognitive science, and learning theory to craft a multi-sensory SQL learning experience, Head First SQL has a visually rich format designed for the way your brain works, not a text-heavy approach that puts you to sleep. Maybe you've written some simple SQL queries to interact with databases. But now you want more, you want to really dig into those databases and work with your data. Head First SQL will show you the fundamentals of SQL and how to really take advantage of it. We'll take you on a journey through the language, from basic INSERT statements and SELECT queries to hardcore database manipulation with indices, joins, and transactions. We all know "Data is Power" - but we'll show you how to have "Power over your Data". Expect to have fun, expect to learn, and expect to be querying, normalizing, and joining your data like a pro by the time you're finished reading!


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Chinese in a Flash, Vol. 1 (Tuttle Flash Cards) Review

Chinese in a Flash, Vol. 1 (Tuttle Flash Cards)
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These are really wonderful aids and do all that a flashcard can be asked to do. Also, they DO provide a very detailed stroke order- I am puzzled why so many reviews comment that there is no stroke order. Perhaps there was an earlier edition? I will take and upload a photo, so other customers can see for themselves.
I find them superior to "Chinese Character Flashcards 888" and wish I would have saved my money as I purchased both sets. There is another review comparing them that is incorrect. These flashcards are more sturdy, have a more detailed stroke order (they break down every single stroke while the 888 set often groups them), provide a sample sentence as well as additional words using the character (888 only has a few sample words), and provide the traditional character along with the simplified when applicable (888 does too, but it's very small). They are superior in every way to the 888 set- I haven't even looked at the other set since the Tuttle set arrived. In fact, this is the first Amazon review I've written, and I do so to correct the misinformation I based my purchasing decision upon.
Another useful feature is that the first 500 flashcards in the set coincide exactly with the two Tuttle Language Library volumes "250 Essential Chinese Characters". So, if you're working your way through these books, these flashcards are the ideal study aid. (The labeling numbers coincide exactly...if learning character number 115 in the book, you can refer to flashcard 115.)
I am very happy with the cards and encourage their use as part of a well-rounded study program. It has been commented that individual characters have no real "meaning", so these cards have limited use. I disagree. Individual characters do have meaning and are used to represent a particular sound and tone. You must learn what sound goes with which character since characters are written individually with equal spacing- when reading Chinese, you need to pronounce each sound as you go along since characters are not grouped together to signal they are being used to build a particular word. Thus, each character needs to be learned individually since it can be used with many different characters to build different words. For example, "pengyou", meaning "friend", is written with two characters: one representing the sound "peng" (which means friend) and one representing "you" (which also means friend). But the character for "you" can also be combined with the character for "yi" which result in "youyi", meaning "friendship".
As far as the samples sentences go, they may potentially be confusing since they do not provide an exact word-for-word translation, but for someone with moderate experience (I've been studying Mandarin for 3 months now) they are very easy to understand. An exact translation wouldn't be very comprehensible anyway. I rarely find myself confused over which word represents which meaning, and if uncertain, it's easy enough to look up a troublesome word in the dictionary. It's all part of the learning process.


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Whether on a train from Beijing to Shanghai or sitting under a tree in Berkeley, you can be practicing your Chinese with this quick and easy-to-use set of flashcards. Chinese in a Flash Volume 1 has a full range of features to help beginners and intermediate learners through character recognition, vocabulary recognition, revision, and testing.It includes indexes by radical, stroke count, and alphabetically by pinyin romanization.

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Mechanically Inclined: Building Grammar, Usage, and Style into Writer's Workshop Review

Mechanically Inclined: Building Grammar, Usage, and Style into Writer's Workshop
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In MECHANICALLY INCLINED, Jeff Anderson tackles the issue of grammarphobia and edit-phobia head on. You know the diseases. They are endemic in English classrooms everywhere.
Anderson advocates using "mentor" sentences and paragraphs taken from books that interest students. He also details how to set up a writer's notebook where kids can write freely without fear of the Red Pen (which, to them, is like an invader from the Red Planet, as narrated by Orson Welles). The notebook includes sections for creativity, exploration, modeling, and copying well-written sentences and paragraphs.
I especially like Anderson's idea for the Editing Checkout, where students "scan" work looking for specific skills, then create a "receipt" of their findings. NATIONAL ENQUIRERS are not necessary for this activity. The kids will get a kick out of it and (not too loud, now) will learn something about editing (with one pen, two pens, red pens, or blue pens) while they're at it. What more could a teacher ask for? (OK, don't answer that...)

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Some teachers love grammar and some hate it, but nearly all struggle to find ways of making the mechanics of English meaningful to kids. As a middle school teacher, Jeff Anderson also discovered that his students were not grasping the basics, and that it was preventing them from reaching their potential as writers. Jeff readily admits, "I am not a grammarian, nor am I punctilious about anything," so he began researching and testing the ideas of scores of grammar experts in his classroom, gradually finding successful ways of integrating grammar instruction into writer's workshop.

Mechanically Inclined is the culmination of years of experimentation that merges the best of writer's workshop elements with relevant theory about how and why skills should be taught. It connects theory about using grammar in context with practical instructional strategies, explains why kids often don't understand or apply grammar and mechanics correctly, focuses on attending to the "high payoff," or most common errors in student writing, and shows how to carefully construct a workshop environment that can best support grammar and mechanics concepts. Jeff emphasizes four key elements in his teaching:
short daily instruction in grammar and mechanics within writer's workshop;
using high-quality mentor texts to teach grammar and mechanics in context;
visual scaffolds, including wall charts, and visual cues that can be pasted into writer's notebooks;
regular, short routines, like "express-lane edits," that help students spot and correct errors automatically.

Comprising an overview of the research-based context for grammar instruction, a series of over thirty detailed lessons, and an appendix of helpful forms and instructional tools, Mechanically Inclined is a boon to teachers regardless of their level of grammar-phobia. It shifts the negative, rule-plagued emphasis of much grammar instruction into one which celebrates the power and beauty these tools have in shaping all forms of writing.


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