Showing posts with label writing reference. Show all posts
Showing posts with label writing reference. Show all posts

The Blair Reader Review

The Blair Reader
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As a core text for my freshman writing classes, I use the Blair Reader to integrate the diverse ethnic backgrounds of my students through writers with whom they can relate. The Blair Reader also provides an instructor's resource manual that guides the teacher through the use of collaborative group and multimedia activities to stimulate student writing. I would highly recommend this text to any writing or reading instructor who faces the challenge of the diversified classroom.

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For English Composition courses. This broad thematic reader offers over 100 teachable essays selected by professors.Each teachable essay is supported by an introduction about the author, and writing activities.Additionally, each theme has a focus section which helps students expand their ideas and write about critical issues.This edition offers new non-fiction, poetry, and fiction selections as well as many new visual images give students a richer, more interesting learning experience.

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Creative Writing: Four Genres in Brief Review

Creative Writing: Four Genres in Brief
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There aren't a lot of creative writing texts that cover all four genres out there, and "Creative Writing: Four Genres in Brief" seemed a promising, inexpensive option to assign for my college creative writing class. The discussions of craft are solid and each section is followed by a checklist that my students found useful. Each chapter includes three opening examples that the craft lessons refer back to in order to illustrate their points, and I found this to be very clear and effective. My two main complaints have to do with the selection of plays and editorial problems with the book. There are only 7 plays in this book (by contrast, there are 26 poems, 14 stories, and 13 essays). I'm guessing the decision to include so few plays was made because the plays take up more pages than the entries in the other genres, but the result is a very limited (and somewhat lackluster) selection of dramatic works. A more annoying issue was the rather embarrassing extent of typographical errors in this book. There are small typos here and there, and at one point, a whole paragraph is repeated verbatim. The complete table of contents in the front matter is correct, but there is also an abbreviated table of contents inside the front cover, and this table of contents contains the incorrect page numbers! Besides being irksome, these typos make it hard to make the case to students that they should treat their writing with care and precision. Why do so when the very textbook they've paid almost $40 for appears not to have been proofread?! With a better/wider selection of plays and some good proofreading/copyediting, this could have been a fantastic book, so it's really too bad.

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How can students with widely varied levels of literary experience learn to write poetry, fiction, creative nonfiction, and drama — over the course of only one semester? In Creative Writing: Four Genres in Brief, David Starkey offers some solutions to the challenges of teaching the introductory creative writing course: (1) concise, accessible instruction in literary basics; (2) short models of literature to analyze, admire and emulate; (3) inventive and imaginative assignments that inspire and motivate.

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The Nuts and Bolts of College Writing Review

The Nuts and Bolts of College Writing
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I first encountered "Nuts and Bolts" several years ago, when it was just a web-site. Back then, Yahoo! gave it one of their "cool sites" awards (complete with cute little sunglasses.) It became such a hit on the web, Hackett decided to give Professor Harvey a publishing contract.
Its great that they did, because the other college writing handbooks are either deadly dull or sprouting whiskers. Nuts and Bolts is neither dry nor bewhiskered -- it is hip, handy, and highly literate. This new book could (and should) evict Strunk and White, Turabian, Chicago Style Book, and all the other has-beens and never-weres as the one book every college student (yes, including science majors) should carry in their book bag. (Dissertation-writers may still need Chicago for their fine brush-work, but everyone else will find this jack-of-all-topics addresses most high-school and college needs.)
What's so great about this book? Essentially, it provides one-stop shopping for the essentials of good college term-paper writing -- usually dispensed in travel-sized doses of only three or four pages.
Nuts and Bolts presumes little, but teaches much. It rides no high horses, grinds no axes, curries no favors. Yet it is both idiot- and pedant -proof. Never written an essay before, but want to know what one is? Nuts and Bolts will tell you, without making you feel stupid for having asked. (Enlightening but non-overwhelming flashback to Montaigne included). Want to know what good sentences look like? (hint: active verbs) How to cite a "blog" in an essay? (take that, Strunk and White!) "Nuts and Bolts" does all this and (much) more while always remembering that brevity is the soul of pedagogy.
Finally, though it crisply marches student essays from the first head-scratch to the last push of the "print" button, its elegant writing and efficient layout make Nuts and Bolts ideal for sustained soaks or surgical strikes as needs dictate. Perfect example: Nuts and Bolts provides side-by-side comparisons of how each of the three major citation-systems expect students to format books, articles, websites (etc.) in their bibliographies and footnotes. A veritable god-send for the student triple-majoring in English Lit, Psychology, and Bio!
This book is written so clearly, and presumes so little background on the part of its reader (Professor Harvey has obviously studied the average scantily-trained college student in its native habitat) that you almost don't realize how supremely intelligent it is. Though it will probably mostly be assigned for remedial purposes, the book is so engagingly written it will inspire even very good writers -- teachers and professors included -- to carry it around in their own soft-sider brief cases. Adios, Strunk and White. Hello, Nuts and Bolts.

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Engagingly written and illustrated with scores of telling examples, this plainspoken how-to book for college writers identifies those qualities that most typically distinguish good writing from bad and provides practical measures for avoiding pitfalls. Included are do's and don'ts for achieving concision, clarity, and flow, as well as pointers on using punctuation, writing gracefully, citing sources, and structuring persuasive writing. Championing "the plain style" with a keen appreciation for the uses to which language can be put—including abuses to which it is prone—The Nuts and Bolts of College Writing is a guide that never fails to remind readers why good writing matters so much in the first place, in college and beyond.

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The Redbook: A Manual on Legal Style (2d Ed.) Review

The Redbook: A Manual on Legal Style (2d Ed.)
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This is a wonderful reference work on legal style--comprehensive, authoritative, well organized, and genuinely readable. It covers an incredible range of topics: punctuation, page layout, typography, spelling, grammar, usage, and more. It makes specific stylistic recommendations for many different types of legal documents, including business correspondence, research memos, pleadings, appellate briefs, and judicial opinions, to name just a few. And it's useful for anybody who has anything to do with creating legal documents, from judges and senior lawyers, to raw associates and law students, to legal secretaries; it would even be helpful to pro se litigants (as other reviewers have noted). I really wish that Amazon provided a "look inside" that showed the table of contents - the book covers an amazing amount of ground.
It's too bad that practitioners used to obfuscatory legalese, or who needlessly produce ugly, poorly written, unreadable documents, won't ever buy, much less read, this book. There's a lot of lousy legal writing churned out every day--bad not just in the sense that a writing teacher or design and typography professional wouldn't like it, but bad in the sense of being hard to read and understand and therefore, in the end, unpersuasive. This book is an antidote.
I recommend all of Bryan Garner's books, but this is the one to start with--it's the most general, and the most broadly useful. (If you write briefs, as I do, the second one to get is The Winning Brief). Every once in a while I would quibble with one of the rules Garner espouses, but for every such rule this book must have ten others that have taught me that, much to my chagrin, I (and almost every other lawyer I know) have been doing something wrong, without realizing it, for many years. I wish I'd discovered Garner much earlier; he's really helped me improve my writing and the way my documents look. Law offices ought to make The Redbook standard issue. That's not going to happen, sad to say, but I can't think of a better, more useful book to give to new lawyers about to start their first legal jobs. Or to senior lawyers who recognize that they don't know everything there is to know about legal writing.
One downside to this book is that, because it is so comprehensive, it sometimes will seem a little too basic. If you're really a good legal writer you may want to start with one of Garner's more "advanced" books. But you'd be amazed at how many legal writers seem not to have learned what is taught in high school English classes. And in any case, this book covers much important stuff that just isn't taught in law school, much less high school, and that most legal writers don't manage to pick up along the way.
Highly recommended.

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Provides a comprehensive guide to the essential rules of legal writing. Unlike most style or grammar guides, it focuses on the special needs of legal writers. answering a wide spectrum of questions about grammar and style both rules as well as exceptions. Also gives detailed, authoritative advice on punctuation, capitalization, spelling, footnotes, and citations, with illustrations in legal context. Designed for law students, law professors, practicing lawyers and judges, the work emphasizes the ways in which legal writing differs from other styles of technical writing. Its how to sections deal with editing and proofreading, numbers and symbols, and overall document design.

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Portable MFA in Creative Writing (New York Writers Workshop) Review

Portable MFA in Creative Writing (New York Writers Workshop)
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Just finished THE PORTABLE MFA IN CREATIVE WRITING by NEW YORK WRITERS WORKSHOP. It impresses me as a book for the pros, not the academics. No dull jargon, no preposterous theory, just the straight dope on writing in five different forms. Since I'm primarily a poet, I spent the most time with Rita Gabis's section -- it's like Mary Oliver's POETRY HANDBOOK meets THE ARTIST'S WAY. You can't read this book without developing the habit of writing, and in the ten-to-twelve days that I've had my copy, I've seen my work improve. This book is indispensable.

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Writers can get the core knowledge of a prestigious $50,000 MFA program without paying tuition. With sound, nuts-and-bolts instruction and real-world career advice, this book is the only book speaking directly to the tens of thousands each year who don't make it into MFA programs. The topics include magazine writing, memoir and personal essay, poetry, fiction, playwriting and more: inspiration and tips on revision, stamina and productivity; clear instruction on the craft behind the art; and, detailed reading lists to expand writers' literary horizons. Those who heed its advice will gain the wisdom and experience of some of today's greatest teaching minds, all for the price of a book.

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504 Absolutely Essential Words Review

504 Absolutely Essential Words
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You are an ESL student or a non-native speaker of English?
You want to improve your American English vocabulary?
You also want to avoid the verbose academic methods?
Stop here! You get it!
I've just finished "504..." today and frankly, I'm fully satisfied. Murray, Julius and Arthur have set up a very intuitive and captivating course: a set of 42 lessons cut up in 7 sessions, each session separated by a review.
How does a typical lesson work?
You have a list of 12 words in a yellow vignette, so you can see what you're gonna learn in a quick glance. The details appear on the right: for each of the words, you have: their standard pronunciation(s) (essential!), their definition(s) and 3 examples of common use. After that, a short article using all of them is presented. The coolest thing is you often meet in the example sentences and articles the words you learnt before. It's a good way to practice them again and test your learning. And you know what? Some articles can even teach you many things beyond English!
Then come 3 exercises. Two are repeated over the lessons: you have 12 sentences with blanks and you fill them in with one of the words. The second standard exercise is an illustration and you are encouraged to find which of the words is hidden behind.
The 3rd exercise varies, depending on the lesson. You can expect one of these:
* Make up your own 12 sentences,
* Find synonyms or antonyms,
* Find the words from their definition,
* Find among 12 phrases those which don't make sense.
Each lesson should not take you more than an hour, maybe even less. Besides, it happened from time to time that 1/2 hour was sufficient for me.
"Okay", I heard you say, "but I'm still not convinced. How did you do in practice?"
Well, generally, I tried to follow 5 lessons a week, i.e one after my workday.
I looked at the new words I had to learn and checked the pronunciation. I repeated each word 10 times aloud, even if I didn't know what it meant. Afterwards, I repeated all the list up and down as many times as needed (between 3 and 5 times) for my pronunciation to be a reflex. I didn't want to take bad habits of pronunciation by reading the definition first and realize half a minute later that my mouth and my tongue hadn't done their job correctly, you see. A word is like a girl's name. She likes to hear her name pronounced correctly. When a boy meet a damsel for the first time and plans to keep in touch with her, he longs to know her name and he'll carefully use it the next time. I think it's the same for a word. Try to be nice to it and name it correctly before living with it. You should do this for *all* the words: if pologamy is illegal, polywordy isn't ;)
So, as soon as I was at ease with the pronunciation, I read the examples *before* the definition. Why? Because I wanted to guess the meaning: I had noticed that a word is all the better memorized as you feel you already know it somehow. Finally, to check my guess, I read the definition and went to the next word. I repeated the process twice, just to be sure. Of course, the 2nd time was faster. Then, I did the exercises.
What if I already knew some of the words? In fact, out of these 504 essential words, I already knew 1/3 of them but I don't regret anything because I saw a great number of them used in contexts I would never have suspected :), so I felt richer anyway.
About the exercises, I told you you were asked sometimes to create your own 12 sentences. I confess I happened to find it not challenging enough. In that case, instead of 12 independant phrases, I wrote a little story using the 12 words, like in the article. It's a good way to develop their loyalty and challenge your creativity.
But it isn't the end yet! In case you'd be still afraid not to be trained enough, the 7 reviews in the yellow pages are here to reassure you. They are organized somewhat differently compared to the lessons.
Each review contains 7 exercises:
1) Choose the good word in phrases between two suggestions,
2) Find opposites,
3) Rebuild newspaper headlines,
4) Find words from their definitions,
5) Complete a letter with words from a list,
6) Find analogies,
7) Make sentences with words that do double-duty.
Of course, you'll find again the words of the immediately previous lessons but also a few more from even farther ones.
The exercise on analogies is tough sometimes, that's really my opinion. Words that do double-duty are very exciting because you learn that some words you have been taught as verbs for instance can also be considered as nouns or adjectives.
I needed 3 months to complete the method and I enjoyed it like a little kid.
So, if I convinced you, enjoy it too! :))

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This carefully selected vocabulary collection is the essential core of words that need to be known and correctly used by middle schoolers, ESL students, and other adults for whom English is a second language. It presents 42 brief but effective word-building lessons. Each lesson introduces twelve new words contained in sample sentences and short articles. Fill-in-the-blanks exercises help students gauge their word-building progress.

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