Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Harry Potter y la piedra filosofal Review

Harry Potter y la piedra filosofal
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This is a great, easy, relaxing way to keep up your already advanced Spanish. It might also be a good way to greatly improve your intermediate Spanish. Keep a dictionary and a notepad handy for those new vocabulary words. Or don't. After a little while of recording new words, I finally quit and just read for the pleasure of it, deciphering words by context. Sometimes I grabbed the English version to check a phrase. That worked well, too. In short, for use as a language builder and confidence builder, I highly recommend this book to you. However, if you're hoping to comprehend the complexities of grammar, there are just enough strange turns of phrase in this book that I would say this is not your first source for grammar lessons.

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Harry es húerfano de padre y madre y vive con sus tíosodiosos y su primo insoportable y malcriado.Por suerte Harry puedeir a un colegio especial de magia.Ágil y divertida, esta novelaentretiene a grandes y chicos.

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50 Essays: A Portable Anthology Review

50 Essays: A Portable Anthology
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Unfortunately, the textbook that I use in my high school English classes does not offer an interesting, age apporpriate selection of nonfiction pieces. I purchased this book to help compensate for the lack of interesting essays in our textbook and was delighted to find that this anthology is organized with teachers in mind. Essays are organized by themes, a list of essays to compare/contrast is provided for convenience, and critical thinking and essay questions are provided at the end of each essay.

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50 Essays: A Portable Anthology directly addresses students' and instructors' concerns that composition readers are too expensive and too large. At less than half the size and price of comparable readers, 50 Essays meets the needs of a wide variety of classrooms. The carefully chosen table of contents presents enough familiarity to reassure instructors, enough novelty to keep things interesting, and enough variety to accommodate many different teaching needs. The editorial apparatus has been designed to support that variety of needs without being intrusive. In its second edition, 50 Essays continues to offer selections that instructors love to teach, with even more flexibility and more support for academic writing.

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Literature: An Introduction to Reading and Writing Compact (4th Edition) Review

Literature: An Introduction to Reading and Writing Compact (4th Edition)
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This book has a companion video series called Literary Visions. That series alsoo includes a study guide. I would highly recommend it.

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Literature: An Introduction to Reading and Writing, Compact Editionis founded on the principles of writing about literature. It is not an afterthought and it is not treated as a separate chapter or appendix; but rather, it is the carefully integrated philosophy of Professor Roberts' approach to teaching literature and composition. Complete coverage of writing about each element and a total of 26 MLA-format student essays with accompanying commentary ensure student comprehension of writing about literature and therefore, produce better student papers.

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Lady Pain (Gil trilogy, Book 3) Review

Lady Pain (Gil trilogy, Book 3)
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Twenty years ago, unwilling hero Tigrallef faced the power known as the Lady in Gil, and not so much defeated it as absorbed it. And every day since that fateful one, Tig valiantly fights the power that is inside him, preventing it from escaping and unleashing its might against the world. And while this power inside Tig keeps him young, and relatively free of diseases, it also seems to be eating away at Tig's soul, making him less and less human each day. Now, Tig and his family and friends travel around the world looking for the spell of banishment that will for once and for all defeat the power, before it gets the better of Tig and destroys the world. The quest to find this spell however has taken quite a toll on everyone; Tig's daughter Kat, in particular, is not sure of how much more she can take. And then Tig comes to the realisation that the spell he is so desperately searching for is in Gil. But that means entering the lion's den again and facing danger and old enemies. Will Tig's old enemy, the Primate, recognise Tig after all these years? No one (except Tig) is keen to make for Gil, but what if the spell is there after all? Can they afford to overlook the possibility? Wary and worried, Tig and company make for Gil...
"Lady Pain" does not quite possess as wry and droll a tone as the first two books in the trilogy, "Lady in Gil" and "Scion's Lady," mainly because, as other reviewers have pointed out, this installment of the trilogy is told completely from Tig's son, Vero's, point-of-view. Years of watching out for Tig, especially given Tig has a rather naive and scholastic approach to things, has made Vero assume a more authoritative role toward his father than a son may ordinarily have done. Rebecca Bradley does a wonderful job of portraying this flip side of a father-son relationship, as well as Kat's (Tig's daughter) leery relationship with her father. This difficulty that Tig's children face in their dealings with their father, colours the tone of "Lady Pain" and makes it a much darker book. It also explains why the wry and droll tone is not always there. However, having noted that I do think that "Lady Pain" does compare well to the first two books in the trilogy. The story is an interesting, compelling and exciting one, that will definitely keep you riveted till the very end. The pacing is tight and the manner in which the plot flowed, seamless. I've enjoyed all three books in the series, and thought that "Lady Pain" rounded off things nicely -- it was nice to see familiar characters from "The Lady in Gil" again. Rebecca Bradley is a brilliant authour and has a wonderful prose style. All three books in this series are going on my 'must have' list. I do hope that Bradley writes more sci-fantasy books and that they get published soon!

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Roaming the known and unknown oceans, one man hopes to defeat once and for all the private demon within him-a power that is coming ever closer to destroying everything he holds dear.An unusual and solidly imagined fantasy world. (Vector)Entertaining...Intelligent...Plenty of action and an original approach. (Infinity)

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The Art of Fiction: Notes on Craft for Young Writers Review

The Art of Fiction: Notes on Craft for Young Writers
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I recently re-read this classic book on writing fiction, and found it as relevant today as it was when it was first published. Because Gardner strives for "higher art", his musings and instructions for the beginner go much deeper than ordinary how-to books. His lengthy chapter titled "Interest and Truth" gets to the heart of what fiction needs to be, whether one is writing literary fiction or a crime novel. His "Common Errors" chapter, although relatively short and sounding as basic as one can get, offers some of the best advice on how to improve one's writing, from suggestions to creating dynamic sentences to how to imbue narrative with emotion. "Technique" covers topics such as paying attention to rhythm and word choice and building narrative suspense. Although I yawned during the chapter on plot - Gardner's diagrams and attempts at describing structure were too mechanical for my tastes, I'm sure some readers will read it voraciously. Likewise, his thorough compilation of writing exercises will have some reaching eagerly for their keyboards. I found that the sections that had interested me on my first reading years ago were not the same ones that intrigued me this time, suggesting that this book can grow with the writer.
The biggest flaw in this book, and one which might drive some readers away, is Gardner's personal biases. His intense interest in myth and classics drove his fiction, and it weighs heavily in the examples he provides. Also, he favors examples from his contemporaries - Barthleme, Coover, Barth - who might not interest younger writers who read a different set of cutting edge authors. Still, you need not be familiar with Gardner's examples to understand his points, as he himself makes few assumptions about the reader/student.
Even professional writers can benefit from Gardner's reminders since a revisiting of ideas can only sharpen one's fiction. Aspiring writers will leave these pages with an eagerness to attack their own work and with a set of wise guidelines to help them achieve their best work.

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"John Gardner was famous for his generosity to young writers, and (this book) is his . . . gift to them. The Art of Fiction will fascinate anyone interested in how fiction gets put together. For the young writer, it will become a necessary handbook, a stern judge, an encouraging friend."--The New York Times Book Review.

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The Art of the Short Story Review

The Art of the Short Story
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This book's title and subtitle are a good summary for a book I feel belongs every creative writing class and on the desk of every aspiring writer. And for only $18.95 USD for 926 pages, the book is a bargain. If you've recently purchased books for a college class, you will know what I mean, I've paid upwards of $100 for a book.
The Art of the Short Story is an anthology of the best stories from the best short story writers. See if you recognize a few of these names: Nathaniel Hawthorne, Stephen Crane, Edgar Allen Poe, Sherwood Anderson, Herman Melville, Jack London, Gustave Flaubert, James Joyce, Leo Tolstoy, Virginia Woolf, Henry James, Franz Kafka, Kate Chopin, D. H. Lawrence, Joseph Conrad, Anton Chekov, F. Scott Fitgerald, William Faulkner, Jorge Luis Borges, Gabriel Garcia Marquez, Ernest Hemingway, Ursula K. Le Guin, John Updike, Raymond Carver, Ralph Ellison, Joyce Carol Oates, Shirley Jackson, Margaret Atwood, Alice Walker, Flannery O'Connor.
What I like best about this book is that, in addition to the great short stories, the book also contains commentary from each author. The commentary varies. The author might discuss how or why the story was written, or public reaction to the story, or their view of literature, or give specific advice on an area of the writer's craft. For example: Earnest Hemingway's essay is on Crafting one True Line. Jorge Luis Borge's author perscpective is Literature as Experience. Shirley Jackson's essay is The Public Reception of "The Lottery." There are too many to list here but the masters discuss the entire spectrum of short story writing from why to write to elements such as character, plot, style, and suspense to authorial explanation and defense of stories.


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The Norton Introduction to Literature (Shorter Edition) Review

The Norton Introduction to Literature (Shorter Edition)
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Great for college students and even teachers looking to add some extra material to their lessons. Alot of great stories and plays, good to buy even if you just enjoy good literature!

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The Norton Introduction to Literature, Shorter Ninth Edition, is an unparalleled collection of the very best classic and contemporary stories, poems, and plays in an inviting format that accommodates many different teaching styles, reading tastes, and pedagogical needs.
Now offering a new contextual chapter, a completely rewritten section on writing about literature, refreshed pedagogy throughout the book, new student-writing samples, and 54 new literary selections, The Norton Introduction to Literature, Shorter Ninth Edition, is more flexible and attractive than ever before.

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Perrine's Literature: Structure, Sound, and Sense Review

Perrine's Literature: Structure, Sound, and Sense
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If you do not want to expend unnecessarily your money, just get the 10Th edition of Perrine's Literature absolutely no difference with the 11Th edition maybe the page numbers differ but that is it. Very happy with the quality of my purchase highly recommended.

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An authoritative bestseller for nearly 50 years, PERRINE'S LITERATURE: STRUCTURE, SOUND, AND SENSE continues to be an essential and highly effective introduction to literature for today's students. Written for students beginning a serious study of literature, the text introduces the fundamental elements of fiction, poetry, and drama in a concise and engaging way, addressing vital questions that other texts tend to ignore, such as "Is some literature better?" and "How can it be evaluated?" A remarkable selection of classic, modern, and contemporary readings serves to illustrate the elements of literature and ensure broad appeal to students of diverse backgrounds and interests. Now thoroughly updated with more than 100 new stories, poems, and plays by some of the finest authors of any era, the tenth edition remains true to Perrine's original vision while addressing the needs of a new generation of students.

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Literature: Approaches to Fiction, Poetry, and Drama Review

Literature: Approaches to Fiction, Poetry, and Drama
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This book not only contains a lot of excellent literature, but it also gives instruction on how to read and analyze literature more effectively. This is a book I come back to again and again.

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Like its larger counterpart, the compact Literature: Approaches to Fiction, Poetry, and Drama by Robert DiYanni features student-centered approaches to literature--from experience to interpretation to evaluation--and an emphasis on making connections between texts and thinking critically about literature.
Known for its clear presentation of the formal elements of literature and literary analysis, this compact anthology effectively balances classic, modern, and contemporary works across the three major genres, blending well-known writers with a diverse gathering of newer, international figures. This literary breadth is supplemented by extensive coverage of writing about literature, making this book an excellent text for introduction to literature courses as well as literature-based composition courses.

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